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From Fred again.. to KI/KI’s “5 HOURS”, these are thirteen more picks from the dancetoday crew and community - and the nights we would love to live in Greece.

Some names make you check the date before you check anything else. Others become even more tempting when you see who is joining them behind the decks, or what kind of set they are playing. Following Part 1, our crew and community’s wishlist continues with thirteen selections. The order is not a ranking, and previous Greek appearances do not rule anyone out. We are thinking about the artists, partnerships and formats that would give us a reason to make plans around the music.

FRED AGAIN.. - From Athens Pop-Ups to a Bigger Dream

Fred again.. has a special place in the hearts of the dancetoday crew and community. “Delilah (pull me out of this)” is part of why: songs that feel personal, even when thousands share them. Greece has already experienced that closeness through his intimate September 2024 show at Lake Vouliagmeni, previewing his album ten days, and his Latraac pop-up parties in Athens in May 2025. So, those small settings make us want a full live show here even more.

For an artist who sold out the Los Angeles Memorial Coliseum, a Greek concert on that scale once felt like a distant wish to us. Now, imagine Fred at Kallimarmaro. The iconic setting and room for his full production could make this a date Greek fans plan their year around, with fans travelling from abroad, too. We would love to see Athens become the destination for one of those Fred nights people wish they had been part of.

SKRILLEX - Nine Grammys, and Still Making Us Curious

Skrillex has nine Grammy wins, including “Rumble” with Fred again.. and Flowdan in 2024. But we hear his genius in the records: from “Bangarang” and his “Cinema” remix to the very different sound of “Rumble”, he keeps making unfamiliar ideas feel instantly recognisable. His 2026 collaboration with Chase & Status, “Essa Tá Quente”, keeps that curiosity alive.

A late Greek festival headline set would be our choice. His name has weight across generations, with earlier fans bringing memories and newer listeners arriving through recent collaborations. We would want the full range of his selections. With Skrillex, the reputation draws you in, but the curiosity about what he will do next makes you want to stay.

CHASE & STATUS - Drum & Bass With the Pull of a Headliner

Chase & Status won the 2024 BRIT Producer of the Year award, with records that explain their reach. “Baddadan”, made with Bou, and the UK Number One “BACKBONE” with Stormzy have taken their music beyond the regular drum & bass audience. A sold-out UK arena tour and their Milton Keynes National Bowl event show the scale they can command.

For Greece, we would want a festival headline DJ set, with the sound system and space that their bass-heavy music deserves. Their name could bring dedicated bass listeners together, while those hits give newcomers a reason to join them. The attraction is drum & bass presented as the main event, by an act with the stature to carry it.

STEVE ANGELLO B2B SEBASTIAN INGROSSO - A Shared History Worth Gathering For

We are huge Swedish House Mafia fans at dancetoday, so Steve Angello and Sebastian Ingrosso have a special place in our hearts, too. Their connection goes back further than the group: childhood friends who were sharing records before Daft Punk helped send them into the studio together as teenagers. From Buy Now to their Tomorrowland B2B sets, that friendship has become a musical partnership worth seeing together.

For Greece, we would love a festival mainstage set that brings that history into the present. The attachment to the iconic “Don’t You Worry Child”, "Reload", "Greyhound" and their wider catalogues gives people a reason to gather, while their club selections offer another side of the pair. Two friends who helped shape our love of this music, sharing the decks here... that is a night we would really want to be part of.

JOHN SUMMIT - House Music on an Arena Scale

John Summit’s upcoming CTRL ESCAPE tour includes major North American arenas and a December booking at the Los Angeles Memorial Coliseum. That is a substantial step for an artist whose appeal starts with “Where You Are” with HAYLA. Alongside Experts Only, he now has both familiar records and a party identity people can follow.

We would picture a Greek festival headline set, bringing together listeners arriving through the songs and those following his club selections. A melodic vocal can invite people in, then the rest of the set gives them more to discover. We would love to catch him while that audience is growing.

MAX STYLER B2B LAYTON GIORDANI - Two Names On Their Way Up

Max Styler and Layton Giordani are building identities people can follow beyond individual releases. Max Styler’s 2026 I Don’t Think I Can Stop EP puts more music behind the attention, on his own Nu Moda label. Layton Giordani has MADMINDS and “When It Kicks” with Green Velvet, a record supported by names including John Summit and Solomun.

We would love an extended indoor B2B in Greece. Styler’s house hooks and Giordani’s heavier house-and-techno range could bring their listeners into the same room. Two names on the rise, sharing the decks—that is a night we would want to catch here.

MEDUZA B2B JAMES HYPE - Two Hitmakers, One OUR HOUSE Night

“Piece Of Your Heart” and “Ferrari” give MEDUZA and James Hype immediate recognition. OUR HOUSE gives them something to follow together: a shared party now in its fourth Ibiza year. Their recorded Amsterdam B2B also shows this partnership in the format we would want here.

An outdoor house stage in Greece feels like a strong fit. MEDUZA’s melodic appeal and Hype’s fast, hands-on mixing offer different attractions within the same set. Familiar records could bring people in, while the pairing gives the headline slot its own character. We would love a Greek OUR HOUSE-style night with this B2B at its centre.

MARCO CAROLA B2B FRANKY RIZARDO - Music On Weight Meets FLOW Momentum

Marco Carola brings a name people already associate with a whole night of partying. Music On gives that following somewhere to gather, while Franky Rizardo’s first FLOW residency at Pacha in 2026 shows his own party identity growing. Its August closing was listed as sold out, with records such as “Shinjuku” giving fans another reason to follow him.

For Greece, an extended outdoor house set would be our choice. Carola’s established pull meets an artist whose own parties are gaining ground. We would want a night built around the pair, with the groove and time to make the partnership the main attraction.

FISHER B2B CHRIS LAKE - A Party People Already Recognise

FISHER’s OUT 2 LUNCH welcomed more than 40,000 people in Australia in 2025, while Chris Lake released his debut album Chemistry that year. Together, their Under Construction project has a party identity of its own, documented in their three-hour-plus Hollywood Boulevard set. “Losing It” and “Turn Off The Lights” give each artist a recognisable connection.

For Greece, we would want a big outdoor house event centred on a long B2B. FISHER brings a larger-than-life party presence; Lake brings a catalogue club listeners have followed for years. Their shared concept gives followers of both something to gather around. We would love the full Under Construction experience here.

CASSIAN B2B KEVIN DE VRIES - A Pairing With Real Mainstage Weight

Cassian brings Grammy-winning mix work on RÜFÜS DU SOL’s “Alive”, while his pairing with Kevin de Vries already has a Tomorrowland mainstage set and a UNVRS set behind it. Their 2025 performance and shared “Payback” remix (of the Steve Angello and Dimitri Vangelis & Wyman original) give us a clear reason to want both names together.

We would picture a Greek festival headline slot after dark. That “Payback” connection could bring listeners with progressive-house memories alongside fans following their melodic techno direction today. Their shared music makes this a pairing worth seeing together.

HARDWELL - Spaceman Memories With a Harder Sound

Hardwell’s two DJ Mag Number One titles give his name real festival weight. And the attachment to his music is still visible: “Spaceman” placed eighth in the community-voted Tomorrowland Top 1000 in 2026. His harder REBELS NEVER DIE direction and “Bang On The Drums” with Bassjackers give that history a current musical context.

For Greece, we would want a festival mainstage headline set with production that suits his sound. The attraction is hearing a name associated with years of festival memories bring his harder music to that same scale. We would love a night where those older connections and his current direction make sense together.

MARLON HOFFSTADT - Daddy Trance Is Reaching Bigger Stages

Marlon Hoffstadt’s 2026 includes a Coachella Sahara debut and an Ultra B2B with Armin van Buuren. DJ Daddy Trance is reaching bigger stages, with “It’s That Time” giving fans something familiar to gather around. His August album Das Ist Daddy adds more music behind the growing attention.

We would love a late indoor rave in Greece built around his name. The fast rhythms, direct hooks and playful trance references give it a clear character, with the Armin pairing also giving older trance fans a reason to pay attention. Hoffstadt feels like an artist worth catching while the following and the opportunities are growing together.

KI/KI “5 HOURS” - A Whole Night Worth Commiting To

KI/KI’s rise now includes two upcoming Ziggo Dome “5 HOURS” shows on October 22 and 23, both listed as sold out. The show builds on the production concept she brought to a sold-out London Roundhouse. That is a following prepared to make her the reason for the whole evening.

She has already played Athens, so our wish is about experiencing this particular format here. A dedicated indoor night would be our choice. Also, “5 Mins Of Acid” gives the request a familiar musical connection. Her mix of acid, trance and techno gives the five-hour idea a clear musical identity, so, we would love to see Greek fans gather around that full experience.

Your Turn

These thirteen selections complete our crew and community’s two-part wishlist. Some carry years of memories, others have momentum we would love to catch, and several become especially appealing through a particular partnership or format.

Which would you most want to experience in Greece, and what kind of set would make you plan your night around it?

Stay connected with dancetoday - follow us on social media for the latest stories, insights and news shaping the electronic dance music world.

22:T55f,Cassian is a Grammy Award winning Australian DJ and producer based in Los Angeles, who has become one of the most sought-after names in the Melodic House and Techno scene. With over 100 million streams worldwide and 1.2 million monthly listeners, Cassian has proven to be a true master of his craft. He has released music on several culture leading labels such as Rose Avenue Records, Afterlife Records, and Odd One Out Records, earning him top chart positions on Beatport’s Melodic House and Techno Chart and Indie Dance Chart. The impact of his music has helped him land massive performances at some of the world's most prestigious music festivals, like Coachella and Lollapalooza, as well as countless top Nightclubs around the world, like Hi Ibiza and Printworks London. Beyond his own releases, Cassian's impressive resume includes mixing critically acclaimed albums for Australian trio RÜFÜS DU SOL, which earned him multiple ARIA awards, APRA awards, and a Grammy. He has also played an integral role in projects from Anyma, Hayden James, What So Not, Crooked Colours, Broods, Set Mo, Running Touch, and many more celebrated names, with his prolific work behind the scenes, landing him multiple gold & platinum certifications. With his unique sound and undeniable talent, Cassian is quickly becoming one of the most exciting and innovative artists in the industry.23:T4c4,Since his first release in 2015, Kevin De Vries has been on an astronomical ascent, carving out a niche for show-stopping, hybrid techno.   When a Kevin De Vries track shakes the room, time seems to pause, hang in the air and come crashing back down with unmistakable drama. His music pushes soundsystems to their limit, at once drawing on the power of techno and the euphoria of trance in a way unique to De Vries.   His releases and remixes have found homes on some of the most revered labels around: Sven Väth’s Cocoon, Adam Beyer’s Drumcode and most recently Tale Of Us’ label Afterlife. De Vries has become a firm favourite of the Afterlife faithful and a vital recording artist, with many event appearances and contributions to the label.   Kevin’s DJ sets translate the singular energy of his own music into extended journeys from cutting-edge sounds to 90s classics and back again. He has quickly become an in-demand DJ worldwide, consistently delivering stand-out performances for huge festivals and intimate clubs alike, as well as pushing his boundaries with back-to-back sets.   As this young artist continues to develop, collaborate and innovate, no creative stones will be left unturned. 24:T5d8,MEDUZA, Grammy-nominated Italian electronic music trio, have led the charge in returning house music to daytime radio globally with unprecedented success. Since their 2019 debut 'Piece of Your Heart', they've become the biggest streaming Italian artist in music history on Spotify and Apple Music, amassing nearly 20 billion cumulative streams, multiple top 10 chart hits across Europe, Number 1 Dance hits in the US, and multi-platinum certifications worldwide. Their signature sounds captivate audiences from nightclubs to mainstages, commanding insatiable demand across major festivals and residencies at Tomorrowland, EDC, Coachella, Las Vegas, and Ibiza. In summer 2024, MEDUZA unveiled the UEFA EURO 2024 Official Song 'FIRE' alongside OneRepublic and Leony. That season, they won Best Selling Remix of The Year at the Beatport Awards. In 2025, MEDUZA solidified their status as electronic music titans, blending infectious house grooves with innovative live elements. Their pinnacle was elevating 'Our House' with James Hype to Hï Ibiza's Theatre, running Mondays June through September. Beyond Ibiza, MEDUZA dominated festivals worldwide, headlining EDC Las Vegas, Tomorrowland, and Kappa FuturFestival, while dropping the tech house anthem "No Sleep" in October via Experts Only. Their collaboration "Another World" with HAYLA clinched Dance Song of the Year at the 2025 Electronic Dance Music Awards, underscoring a banner year of over 2 billion new streams and relentless innovation.25:T5475,

Από τον Fred again.. μέχρι το «5 HOURS» της KI/KI, δεκατρείς ακόμη επιλογές της ομάδας και της κοινότητας του dancetoday για βραδιές που ονειρευόμαστε στην Ελλάδα.

Κάποια ονόματα σε κάνουν να κοιτάξεις πρώτα την ημερομηνία. Άλλα σε δελεάζουν με το ποιος/α τους κάνει join στα decks ή με το συγκεκριμένο set. Μετά το Μέρος 1, η wishlist μας συνεχίζεται με άλλες δεκατρείς επιλογές. Η σειρά που παρουσιάζονται δεν αποτελεί κατάταξη, ούτε προηγούμενες ελληνικές εμφανίσεις αποκλείουν κανέναν. Σκεφτόμαστε μόνο καλλιτέχνες, συνεργασίες και sets που θα μας έκαναν να οργανώσουμε τη βραδιά μας γύρω μόνο από τη μουσική.

FRED AGAIN.. - Από τα αθηναϊκά pop-ups σε ένα μεγαλύτερο όνειρο

Ο Fred again.. έχει ξεχωριστή θέση στην καρδιά της ομάδας και της κοινότητας του dancetoday. Το «Delilah (pull me out of this)» εξηγεί το γιατί: προσωπικά τραγούδια, ακόμη κι όταν τα μοιράζεσαι με χιλιάδες άλλους. Η Ελλάδα γνώρισε αυτή την οικειότητα στη μυστική και μικρή εμφάνισή του στη Λίμνη Βουλιαγμένης τον Σεπτέμβριο του 2024, με μουσική από το επερχόμενο τότε άλπουμ του ten days, και στα pop-up parties στο Latraac τον Μάιο του 2025. Γι’ αυτό θέλουμε ακόμη περισσότερο ένα ολοκληρωμένο live του.

Μετά το sold out στο Los Angeles Memorial Coliseum, ένα αντίστοιχο ελληνικό show κάποτε μας φαινόταν μακρινό και άπιαστο όνειρο. Τώρα, φανταστείτε τον Fred στο Καλλιμάρμαρο. Το εμβληματικό σκηνικό, με χώρο για την πλήρη παραγωγή του, θα μπορούσε να κάνει τους Έλληνες fans να οργανώσουν τη χρονιά τους γύρω από τη συναυλία, προσελκύοντας πολύ κόσμο και από το εξωτερικό. Θέλουμε να γίνει η Αθήνα προορισμός για μια βραδιά του Fred που όλοι εύχονται να είχαν ζήσει.

SKRILLEX - Εννέα Grammy και Πάντα Κάτι Καινούργιο να Περιμένουμε

Ο Skrillex έχει εννέα Grammy, ανάμεσά τους για το «Rumble» με τους Fred again.. και Flowdan το 2024. Την ιδιοφυΐα του, όμως, την ακούμε στα κομμάτια: από το «Bangarang» και το remix του στο «Cinema» μέχρι τον διαφορετικό ήχο του «Rumble», κάνει απρόσμενες ιδέες να ακούγονται αμέσως αναγνωρίσιμες. Η συνεργασία με τους Chase & Status το 2026, «Essa Tá Quente», κρατά αυτή την περιέργεια ζωντανή.

Θα επιλέγαμε ένα headline DJ set αργά το βράδυ σε ελληνικό φεστιβάλ. Το όνομά του έχει βάρος σε διαφορετικές γενιές, καθώς παλιότεροι fans φέρνουν αναμνήσεις και νεότεροι έρχονται μέσα από πρόσφατες συνεργασίες. Επομένως, θέλουμε αυτό το εύρος των επιλογών του. Η φήμη του Skrillex θα προσελκύσει πολύ κόσμο ανά τον κόσμο.

CHASE & STATUS - Drum & Bass Με το Εκτόπισμα ενός Headliner

Οι Chase & Status κέρδισαν το BRIT Producer of the Year το 2024, με μουσική που εξηγεί την απήχησή τους. Το «Baddadan» με τον Bou και το βρετανικό Νο. 1 «BACKBONE» με τον Stormzy τούς έχουν πάει πέρα από το συνηθισμένο drum & bass κοινό. Η sold-out περιοδεία σε βρετανικές αρένες και το National Bowl του Milton Keynes δείχνουν το μέγεθός τους.

Θα θέλαμε ένα headline DJ set σε ελληνικό φεστιβάλ, με χώρο και ηχοσύστημα αντάξια του γεμάτου μπάσο ήχου τους. Το όνομά τους θα μπορούσε να ενώσει αφοσιωμένους bass ακροατές, ενώ οι επιτυχίες του μπορεί να προσελκύσει και νεότερους. Drum & bass στο επίκεντρο, από ένα δίδυμο με εκτόπισμα ικάνο να στηρίξει ολόκληρη τη βραδιά.

STEVE ANGELLO B2B SEBASTIAN INGROSSO - Μια κοινή διαδρομή που μας φέρνει μαζί

Ως fans των Swedish House Mafia στο dancetoday, έχουμε ξεχωριστή θέση στην καρδιά μας για τους Steve Angello και Sebastian Ingrosso. Η σχέση τους προηγείται του group: παιδικοί φίλοι που αντάλλασσαν δίσκους, πριν οι Daft Punk τούς εμπνεύσουν να μπουν ως έφηβοι στο studio. Από τους Buy Now μέχρι τα B2B τους στην Tomorrowland, η φιλία αυτή έγινε μια μουσική συνεργασία που θέλουμε πολύ να δούμε.

Θα θέλαμε αυτή τη διαδρομή στο σήμερα, στην κεντρική σκηνή ελληνικού φεστιβάλ. Τα εμβληματικά «Don’t You Worry Child», «Reload», «Greyhound» και η ευρύτερη δισκογραφία τους μάς ενώνουν, ενώ οι club επιλογές δείχνουν μια άλλη πλευρά τους. Δύο φίλοι που διαμόρφωσαν την αγάπη μας για αυτή τη μουσική, μαζί στα decks εδώ… Σε αυτή τη βραδιά θέλουμε να είμαστε.

JOHN SUMMIT - Η House σε Μέγεθος Αρένας

Η επερχόμενη CTRL ESCAPE περιοδεία του John Summit περιλαμβάνει μεγάλες αρένες στη Βόρεια Αμερική και εμφάνιση τον Δεκέμβριο στο Los Angeles Memorial Coliseum. Σημαντικό βήμα για έναν καλλιτέχνη που μας κερδίζει με το «Where You Are» με τη HAYLA. Με το Experts Only, έχει πλέον γνωστά κομμάτια και μια δική του ταυτότητα party που το κοινό ακολουθεί.

Τον φανταζόμαστε headliner σε ελληνικό φεστιβάλ, να ενώνει όσους τον γνώρισαν από τα τραγούδια με όσους ακολουθούν τις club επιλογές του. Ένα μελωδικό vocal σε τραβά, και το υπόλοιπο set σου δίνει περισσότερα να ανακαλύψεις. Θέλουμε να τον δούμε όσο το κοινό του μεγαλώνει.

MAX STYLER B2B LAYTON GIORDANI - Δύο Ονόματα σε Άνοδο

Οι Max Styler και Layton Giordani χτίζουν ταυτότητες πέρα από τις κυκλοφορίες τους. Το EP του Styler το 2026, I Don’t Think I Can Stop, στη δική του Nu Moda, προσθέτει μουσική πίσω από το ενδιαφέρον γύρω του. Ο Giordani έχει τη MADMINDS και το «When It Kicks» με τον Green Velvet, με support από John Summit και Solomun.

Θα θέλαμε ένα extended B2B σε κλειστό χώρο στην Ελλάδα. Τα house hooks του Styler και ο βαρύτερος ήχος του Giordani, ανάμεσα σε house και techno, μπορούν να φέρουν τα κοινά τους μαζί. Δύο ονόματα σε άνοδο, μαζί στα decks... μια βραδιά που σίγουρα θέλουμε στην Ελλάδα.

MEDUZA B2B JAMES HYPE - Δύο Hitmakers, μία Βραδιά OUR HOUSE

Τα «Piece Of Your Heart» και «Ferrari» κάνουν τους MEDUZA και James Hype αμέσως αναγνωρίσιμους. Το OUR HOUSE δίνει έναν λόγο να τους ακολουθήσουμε μαζί: ένα κοινό party στην τέταρτη χρονιά του στην Ibiza, ενώ το B2B τους στο Άμστερνταμ δείχνει τη συνεργασία στη μορφή που θέλουμε και εδώ.

Μια indoor house σκηνή στην Ελλάδα μάς φαίνεται ιδανική. Οι μελωδίες των MEDUZA και η γρήγορη, δραστήρια μίξη του Hype προσφέρουν διαφορετικούς λόγους να παρακολουθήσεις το ίδιο set. Τα γνωστά κομμάτια μπορούν να φέρουν κόσμο, ενώ η συνεργασία δίνει δικό της χαρακτήρα στο headline slot. Θέλουμε μια ελληνική βραδιά στο ύφος του OUR HOUSE, με αυτό το B2B στο επίκεντρο.

MARCO CAROLA B2B FRANKY RIZARDO - Το Music On Συναντά την Άνοδο του FLOW

Το όνομα του Marco Carola είναι συνδεδεμένο με μια ολόκληρη νύχτα partying. Το Music On δίνει στο κοινό του ένα σημείο συνάντησης, ενώ το πρώτο FLOW residency του Franky Rizardo στο Pacha το 2026 δείχνει τη δική του ταυτότητα party να μεγαλώνει. Το closing του Αυγούστου έγινε sold out, με κομμάτια όπως το «Shinjuku» να δίνουν έναν ακόμη λόγο να τον ακολουθήσεις.

Θα επιλέγαμε ένα extended υπαίθριο house set στην Ελλάδα. Η καθιερωμένη απήχηση του Carola συναντά έναν καλλιτέχνη του οποίου τα parties κερδίζουν έδαφος. Θέλουμε μια βραδιά γύρω από το δίδυμο, με groove και χρόνο ώστε η συνεργασία να γίνει η βασική αφορμή να βρεθούμε εκεί.

FISHER B2B CHRIS LAKE - Ένα Party που ο Κόσμος Αναγνωρίζει

Το OUT 2 LUNCH του FISHER συγκέντρωσε πάνω από 40.000 ανθρώπους στην Αυστραλία το 2025, ενώ ο Chris Lake κυκλοφόρησε το πρώτο του άλμπουμ, Chemistry. Μαζί, έχουν δώσει στο Under Construction ξεχωριστή ταυτότητα ως party, όπως δείχνει το μοναδικό τους set άνω των τριών ωρών στη Hollywood Boulevard. Τα «Losing It» και «Turn Off The Lights» είναι γνώριμα σημεία αναφοράς για το κοινό τους.

Θέλουμε ένα μεγάλο υπαίθριο house event στην Ελλάδα, γύρω από ένα B2B μεγάλης διάρκειας. Ο FISHER φέρνει την πληθωρική περσόνα του και party παρουσία του, ενώ ο Lake μια δισκογραφία που οι club ακροατές ακολουθούν για χρόνια. Το κοινό αυτό concept φέρνει τους fans τους μαζί, επομένως θέλουμε την πλήρη εμπειρία Under Construction και στην Ελλάδα.

CASSIAN B2B KEVIN DE VRIES - Ένα Δίδυμο με Βάρος για Mainstage

Ο Cassian έχει Grammy για τη μίξη του «Alive» των RÜFÜS DU SOL, ενώ το B2B του με τον Kevin de Vries έχει εμφανίσεις στο mainstage της Tomorrowland και στο UNVRS. Η εμφάνισή τους το 2025 και το κοινό remix στο «Payback», των Steve Angello και Dimitri Vangelis & Wyman, μας δίνουν επίσης έναν σαφή λόγο να τους θέλουμε μαζί.

Τους φανταζόμαστε headliners σε ελληνικό φεστιβάλ, αφού σκοτεινιάσει. Η σύνδεση με το «Payback» μπορεί να φέρει κοντά ακροατές με progressive-house αναμνήσεις και fans της σημερινής melodic techno κατεύθυνσής τους. Η κοινή μουσική κάνει αυτό το B2B μια συνεργασία που αξίζει να δούμε.

HARDWELL - Αναμνήσεις από το «Spaceman», με Πιο Σκληρό Ήχο

Οι δύο πρωτιές του Hardwell στο DJ Mag δίνουν στο όνομά του πραγματικό φεστιβαλικό βάρος, ενώ η σύνδεση του κόσμου με τη μουσική του παραμένει ακόμα εμφανής: το «Spaceman» κατέκτησε την όγδοη θέση στο Tomorrowland Top 1000 του 2026, με ψηφοφορία της κοινότητας. Η σκληρότερη κατεύθυνση του REBELS NEVER DIE και το «Bang On The Drums» με τους Bassjackers δίνουν στην ιστορική του διαδρομή ένα πιο "σημερινό" μουσικό πλαίσιο.

Θα θέλαμε ένα headline set στην κεντρική σκηνή ελληνικού φεστιβάλ, με παραγωγή αντίστοιχη του ήχου του. Μας τραβά η σκληρότερη μουσική του στην ίδια κλίμακα που συνδέθηκε με χρόνια φεστιβαλικών αναμνήσεων. Μια βραδιά όπου εκείνες οι παλιότερες συνδέσεις και η σημερινή κατεύθυνση βρίσκουν κοινό έδαφος.

MARLON HOFFSTADT - Ο Daddy Trance σε Μεγαλύτερα Stages

Το 2026 του Marlon Hoffstadt περιλαμβάνει το ντεμπούτο στη Sahara του Coachella και B2B με τον Armin van Buuren στο Ultra. Ο DJ Daddy Trance μεγαλώνει, με το «It’s That Time» ως γνώριμο σημείο συνάντησης, ενώ το άλμπουμ Das Ist Daddy του Αυγούστου δίνει στο αυξανόμενο ενδιαφέρον μουσική βάση.

Θα θέλαμε ένα rave αργά τη νύχτα, σε κλειστό χώρο στην Ελλάδα, γύρω από το όνομά του. Γρήγοροι ρυθμοί, άμεσα hooks και παιχνιδιάρικες trance αναφορές δίνουν σαφή χαρακτήρα, ενώ το B2B με τον Armin θα τραβήξει το ενδιαφέρον και των παλιότερων trance fans. Αξίζει πολύ να τον δούμε όσο μεγαλώνουν παράλληλα το κοινό του και οι ευκαιρίες του.

KI/KI «5 HOURS» - Πέντε Ώρες που Αξίζει να Ζήσεις

Η KI/KI έχει δύο επερχόμενα «5 HOURS» shows στο Ziggo Dome, στις 22 και 23 Οκτωβρίου, και τα δύο sold out. Το show εξελίσσει το concept παραγωγής που παρουσίασε σε ένα sold-out Roundhouse στο Λονδίνο. Το κοινό της KI/KI είναι πρόθυμο να της αφιερώσει μια ολόκληρη βραδιά.

Έχει ήδη παίξει στην Αθήνα, οπότε θέλουμε να ζήσουμε αυτή το συγκεκριμένη format εμφάνισης. Θα επιλέγαμε μια βραδιά σε κλειστό χώρο, αποκλειστικά και μόνο για εκείνη. Το «5 Mins Of Acid» δίνει μια γνώριμη μουσική αναφορά, ενώ ο συνδυασμός acid, trance και techno δίνει στο πεντάωρο μια σαφή ταυτότητα... επομένως, θέλουμε τους Έλληνες fans όλους μαζί γύρω από αυτή την ολοκληρωμένη εμπειρία.

KI/KI “5 HOURS” - A Whole Night Worth Commiting To

Η σειρά σας

Αυτές οι δεκατρείς επιλογές ολοκληρώνουν τη wishlist δύο μερών της ομάδας του dancetoday και της κοινότητάς μας. Κάποιες επιλογές κουβαλάνε χρόνια αναμνήσεων, άλλες την άνοδο και το momentum που θέλουμε να προλάβουμε, ενώ κάποιες συνεργασίες ή formats δίνουν έναν ξεχωριστό λόγο να βρεθούμε εκεί.

Ποια θα θέλατε περισσότερο να ζήσετε στην Ελλάδα και τι είδους set θα σας έκανε να κανονίσετε τη βραδιά σας γύρω από αυτό;

Μείνετε συνδεδεμένοι με το dancetoday - ακολουθήστε μας στα social media για τις σημαντικότερες ιστορίες, insights και νέα που διαμορφώνουν τον κόσμο της ηλεκτρονικής dance μουσικής.

26:T15c8,

There are nights that start with simply going out for music and end up meaning something much more. A festival, a club, a big open air event. Thousands of people who don’t know each other, suddenly standing under the same lights, listening to the same tracks and moving to the same rhythm. And somewhere in all of that, a stranger can become part of your group, a group can become a group of friends, and a random meeting can continue long after the last track has played.

It’s not just a nice idea. In psychology, the term “collective effervescence” is used to describe the intense feeling of connection that can emerge when many people take part in the same experience at the same time. A study published in the Personality and Social Psychology Bulletin, based on four studies and 789 participants, examined this connection in the context of live music events. The findings showed that this sense of collective connection was associated with greater enjoyment and a stronger sense of meaning during the event, as well as increased happiness one week later.

And maybe the most interesting part is that you don’t even need to talk to someone for that connection to begin. Research has found that moving together in sync can make people feel socially closer, even when they are complete strangers. In one experiment involving a silent disco, participants who moved to the same rhythm reported a stronger sense of connection than those who moved out of sync. Suddenly, the dancefloor starts to make a little more sense. Sometimes, the music is already doing the introduction for you.

There is also something physical behind that feeling. Studies on synchronized movement and group bonding have found that dancing together can be associated with an increased pain threshold and stronger feelings of connection between people. Researchers have suggested that the release of endorphins may play a role in this process. It doesn’t mean that every person you dance with is suddenly your best friend, of course. But it does help explain why sharing physical effort, rhythm and emotion with other people can make a night feel much more intense and much more memorable.

And maybe this explains why the people we meet on the dancefloor can sometimes feel different from the people we meet anywhere else. You don’t need to start with a conversation, shared interests or a particular reason to connect. Sometimes all it takes is a drop, a smile, a high-five or that look that says, “What the hell was that?” A shared musical experience creates a different kind of communication, where for a few hours, everyone seems to belong to the same thing.

This is also how our own community at Dancetoday has grown. Not only through music and content, but mainly through the people we have met along the way. The events, festivals and moments we have shared with our community have become one of the ways Dancetoday built its own identity and brought people together. People who may have met for the first time at an event, danced together, shared a track or simply a moment, and eventually became part of a group that keeps growing. Because a community is not built only through posts and stories. It is built where music becomes a real experience.

Maybe that’s why electronic music has its own way of creating memories. You might not always remember which track was playing at that exact moment. But you might remember who was standing next to you when the drop hit. And sometimes, the person you randomly met in a crowd of strangers becomes the person who is there with you at the next festival, the next trip, the next big night.

Because the dancefloor is not simply a place where we listen to music. It is one of the few places where, even for a few hours, thousands of different lives move to the same rhythm. And some of those lives may continue moving together long after the final beat.

Stay connected with dancetoday - follow us on social media or join our Discord community for the latest stories, insights, and news shaping the electronic dance music world.

27:T37c2,

From an extended Chris Stassy session to a dedicated Tiësto trance set, these are eleven picks from the dancetoday crew and community - and why we want them happen in Greece.

A set lands in the group chat. Someone names the artist they would travel for. Before long, the conversation turns to Greece: imagine having that night here!

So, together with our community, the dancetoday crew has put together a wishlist of artists and specific sets we would love to experience on Greek dancefloors. These eleven selections open a two-part series, with room for returns, new encounters and different sides of familiar names. Of course, the order is not a ranking, and each choice comes down to the music, the setting and what would make the experience worth showing up for.

MAU P - The Breakthrough Has Become a Headline

Mau P has reached the point where his name can be the reason for the night. Baddest Behaviour returned to Pacha Ibiza for a second season in 2026, evidence of a career growing beyond the initial impact of “Drugs From Amsterdam”. He now has both recognisable records and a party identity people can follow.

That makes him a really appealing choice for Greece. His sound gives an audience something immediate to connect with: heavy bass, cheeky vocal hooks and the reggae sample at the centre of “Merther”. We see him fitting a substantial club date or an outdoor house event where familiar tracks bring people together and the selection keeps them moving. This is a chance to catch a headliner while his world is still expanding.

CHRIS STASSY - When the Crowd Becomes the Vocal

The hype around Chris Stassy has a particularly revealing soundtrack: “Breather”, his collaboration with S.A.M. At all Stassy's appearances, the crowd sings along to its melody - despite the track having no vocals - and doesn't stop dancing. That says something about the devotion surrounding the artist formerly known as Chris Stassy. Alos, his October 2026 USS dates in Manchester are already listed as sold out.

A crowd singing instrumental melodies of an artist tells you more about a following than a follower count. That is the appeal for Greece: a following that could turn a house night into a shared occasion, built around musical details fans already care about. An extended set would be our choice, allowing the rolling basslines and patient transitions to earn that collective release.

CARL COX - The Name That Connects Generations

Carl Cox carries the kind of stature that can make a booking feel significant across generations. He keeps giving people reasons to return: his 2026 UNVRS residency spans house and techno, including all-night sessions. In a recent Pollstar interview, he explained how the room guides his next record, including when to ease from harder techno towards groove or melody.

For a Greek event, that combination matters. The reputation gives people a reason to gather; his responsiveness gives the gathering somewhere to go. We can imagine experienced ravers and younger clubbers finding common ground in a substantial DJ set. Cox’s history brings weight to the poster, but the attraction is what he can do with the dancefloor in front of him now. Oh yes, oh yes!

RÜFÜS DU SOL - The Scale of a Shared Feeling

RÜFÜS DU SOL belong here because their music gives people something to carry into a room with them: a lyric, a memory, a melody that has stayed around longer than expected. Of course, “Innerbloom” makes that shared feeling explicit. And RÜFÜS DU SOL have taken that connection to an extraordinary scale. Their Inhale/Exhale tour generated $158 million and sold 1.7 million tickets, becoming the highest-grossing electronic tour in Billboard Boxscore history!

Of course, the format matters. A full live show centres the band performing its songs, with vocals and instruments, while a DJ set opens a different conversation through the records they select. Altough we would prefer a full live show, we would welcome either in Greece, with the billing clear about the experience. Their music can make a crowded night feel strangely personal... and that emotional connection is what we would want to share, whether through the songs themselves or their club influences.

KETTAMA - A Rave Favourite Growing Bigger

Being dancetoday’s 2025 Breakthrough Artist Of The Year, KETTAMA’s rise has reached well beyond a promising run of club tracks. His Archangel album was accompanied by a sold-out Brixton Academy headline show, while 2026 brought a nine-week Amnesia residency. So, there is a clear sense of an artist whose audience is growing with the music.

“Yosemite”, with Interplanetary Criminal, captures the appeal: forceful rhythms meeting the kind of melody people attach themselves to. His blend of house, trance and rave influences gives us a strong case for a late festival slot in Greece, especially for listeners who want physical intensity with an emotional payoff. KETTAMA makes the big chord change feel as important as the kick drum. Catching him at this stage would mean meeting a growing movement while its excitement still feels immediate.

MICHAEL BIBI - A Following You Could Build a Night Around

Michael Bibi’s pull is visible in the events built around him. His 2024 One Life show at Finsbury Park drew 45.000 people, and the promoter listed his 2026 London date on the Thames as sold out. Through his own shows and Solid Grooves, he has built a following around a recognisable way of partying.

And his music explains why we would want that here. “Mobile Groove” turns a Nokia ringtone into club material, while “MYSTERY OF RAW” with KETTAMA samples Wu-Tang Clan. For Greece, an extended headline set in an indoor venue would make most sense to us, as it could let fans gather around a more club setting and a shared taste, and give newcomers an accessible way in. Bibi gives fans a party they can feel part of before they even walk in.

TIËSTO - Back to the Trance Roots

A dedicated Tiësto trance set is essential to this selection. For listeners whose relationship with electronic music grew through his early records and sets, it carries genuine nostalgia. For younger fans, it offers a chance to experience the musical identity behind so much of his reputation. And this is already happening: Dreamstate 2025, Creamfields 2026, “Bring Me To Life” featuring FORS and Tiësto In Concert being back again after over 20 years make the return to trance a current story.

Hearing this side of Tiësto in Greece feels especially appealing while he is actively exploring it again. What we would love in Greece is the space for those melodies to develope. Older listeners might arrive with years of memories, while younger ones could encounter that side of his music at full scale for the first time. The set would not need to be classics-only. Give the older records and newer material a coherent place together, and the appeal becomes a shared experience across generations.

PROSPA - The Momentum Has an Album Behind It

Prospa now have a bigger musical statement behind the buzz. Their debut album, Free Your Mind, arrived on CircoLoco Records in June 2026, bringing their rave background into a fuller collection of house grooves, organ chords and expressive vocals. It gives listeners more reasons to connect with the duo than a single standout release.

We see a good fit for Greece in that mixture of club credibility and songs people can take home. The disco guitar and vocal warmth of “This Rhythm” featuring RAHH, show how easily their music can invite people in. An open-air evening moving into darkness feels like a setting worth imagining a DJ set that could connect those familiar moments with their wider selections. Prospa offer the excitement of an act growing into a bigger stage while keeping the pleasure of the party close.

DOM DOLLA - House Music With a Bigger Reach

Dom Dolla is now taking house records into stadiums. His sold-out Allianz Stadium debut in Sydney in December 2025 has been followed by a Marvel Stadium booking for September 24, 2026. That is a substantial platform for an artist whose appeal still starts with records built to make people dance. “Dreamin” featuring Daya, helps explain the crossover: a simple, memorable melody and a vocal with an emotional story.

For a Greek festival, we see the potential to bring regular house listeners around the world together with people arriving through the songs. Dom Dolla can make the hook an invitation into the rest of the set, while even a simple melody can bring someone to the dancefloor before they know anything about the DJ. His inclusion is about that widening reach, and the prospect of a headline performance that feels welcoming without losing its club foundations.

HALŌ - The Three Musketeers of Progressive

Third Party, DubVision and Matisse & Sadko: our Three Musketeers of mainstage progressive house. As HALŌ, these three acts bring together established fan connections, a shared musical language and a new reason to pay attention. Their debut release, “Live Again”, arrived on Armada on September 18, giving the project music of its own to build around.

As we put it in our recent article, progressive never left. And now, with HALŌ, progressive is live again. For Greek fans drawn to those big melodies and moments of collective release, this could be a festival date to plan around. The attraction is hearing familiar catalogues feed into something new, with three acts committed to the same feeling. For a Greek mainstage, that mix of beloved records and new music feels worth backing.

JOSEPH CAPRIATI B2B SOSA - A Pairing With Its Own Pull

Joseph Capriati B2B SOSA has the appeal of an occasion built around a specific partnership. Capriati brings the stature of a selector whose Metamorfosi nights connect house and techno, while SOSA brings a newer generation’s minimal and deep-tech approach, represented on this year’s Just Like That EP. Their different positions in the scene make the meeting interesting.

However, there is also another recent evidence behind the idea: the pair closed the Steel Yard at Creamfields 2026, with their performance being among its weekend highlights. For Greece, this B2B could give followers of both artists a reason to gather, with curiosity about the exchange adding to the draw. Of course, we would want an extended set for the grooves to deepen and the pressure to change. The combination itself should be the reason to attend.

Your Turn

These are the first eleven selections from our crew and community, and Part 2 will bring more into the conversation. The setting matters as much as the name: a longer club session, a live show or a particular musical direction can change the whole appeal.

Which of these would you most want to see in Greece, and what kind of set would make it worth the wait?

Stay connected with dancetoday - follow us on social media for the latest stories, insights, and news shaping the electronic dance music world.

28:T5d6,CHRIS STASSY is a producer and label boss who has spent the past decade building a world around his own approach to house music. What began in the underground has grown into a global project spanning music, events, a label and a community, still rooted in the clubs and culture that shaped him. In August 2026, Chris entered a new phase under the name CHRIS STASSY. One letter separates it from the name before, but little else changes - same mind, same music, same vibe. A continuation rather than a reset. That world took shape through Up The Stuss, the label he founded in 2020 and now one of house music's most recognisable independent imprints, home to his own productions and a wider roster of forward-thinking artists. The same instincts define Chris behind the decks, from underground institutions and 10-hour extended sets to Awakenings, Timewarp, Coachella, Pukkelpop and Alexandra Palace, with Ibiza central through Circoloco, Paradise and Solid Grooves. His productions and remixes - including his #1 flip of Moby's 'Go' - reflect an artist refining his own musical language rather than following a formula. In 2025 he launched USS, his own event series, alongside N.A.M.E., his free party concept. In 2026 came his debut album 'Lost, Found & Forgotten...', with headline shows beyond the club at the Eiffel Tower and Alexandra Palace, and his first AV show 'Linger' at Lowlands and Creamfields. Now, as CHRIS STASSY, the project moves forward with the same foundations intact.29:T52a,A name that resonates thoughts of quality and fresh flavours, Michael Bibi’s take on today's current electronic music environment has seen him flourish into a highly accomplished producer and DJ. The UK based new kid has stamped his mark with a string of musical successes, carving out and establishing a distinct signature sound that has translated into support from some of the industry’s biggest names, whilst his longstanding and instinctive love for the party provides a continued source of motivation and dedication. Bibi’s raw passion for music has been with him since childhood. His father, a touring artist within the Blues and Jazz scene, provided his first insight into the world of music, with Michael accompanying him on tour and exposing his eyes and ears to the scenes never-ending influences - and today it is these influences that he draws upon to combine with his slick, up-front and personal take upon house music. As of recent, Michael has been making a name for himself with his unique production style and off-the-wall vocals, releasing material on the likes of Snatch!, VIVa, Lost Records, and of course his own labels Solid Grooves and SG Raw. With a stock of unreleased productions and global dates on the horizon, look out for Michael Bibi coming to share a party a moment with you soon!2a:T41f,Tiësto has consistently redefined, reshaped, and reignited electronic music, impacting popular culture in the process. Renowned for multiplatinum international anthems, history-making performances, and boundless creativity, it would be impossible to imagine the genre without his influence. The GRAMMY® Award-winning international icon effectively pioneered the “Las Vegas DJ residency” as we know it, emerged as “the first DJ to perform at the Olympics,” and delivered smashes across the last three decades. His career sales have surpassed 40 million albums, he has earned eight Billboard Hot 100 hits, amassed over 30 billion streams, and collected more than a dozen RIAA certifications for multiplatinum, platinum, and gold singles. This creative season has seen him triumphantly revisit the melodic deep house sound he helped innovate, bringing his career full circle. Enshrined as one of the most influential and inventive DJ/producers of all time, Tiësto continues to break boundaries and elevate electronic music to unparalleled heights.2b:T102a,

When three names like DubVision, Matisse & Sadko and Third Party decide to join forces, it is hard not to expect something huge. All three artists have built their own history in progressive and festival sound, and now, through HALŌ, they are bringing a different side of their music together.

The first official result of this collaboration is 'Live Again', released on September 18th through Armada Music. From the very first seconds, you can understand that a new progressive anthem will unfold. Driven by big festival Melodies & high energetic vocals with strong feelings, elements which showcase why progressive is one of the best genres in the scene.

Speaking about the release and the journey behind HALŌ, the group says:

“It's been almost a year since we first came together and started HALŌ, so it feels incredibly special to finally be releasing the music we've been creating since that very first day. We know people have been waiting to hear what we've been working on, but the best things take time, and we never wanted HALŌ to feel like a gimmick or something we rushed into. This is a new journey for all five of us, and from the beginning we've wanted to put our hearts and souls into every release, every show and every piece of art we create together.

'Live Again' feels like the perfect place to begin. It's a true representation of why we all do this, and the way the five of us came together and connected through this track captures what HALŌ is really about. Hopefully, when people hear it, they'll feel some of that connection too.

At its heart, 'Live Again' is about rebuilding when times are tough, finding strength when you need it most, and having the courage to move forward. Sometimes life knocks you down, and you have to find a way to pick yourself back up. Sometimes you have to find the courage to live again.”

And perhaps that is what makes 'Live Again' stand out. It does not try to hide the influences of the three artists. Instead, it takes the elements we have come to love in their productions, big melodies, emotional breakdowns and powerful drops and brings them together under one new identity.

HALŌ, of course, had already started taking shape before the release. The three artists had performed together at major events as B2B/B3B, while in 2026 the project stepped onto a bigger stage. The debut as HALŌ took place at Don't Let Daddy Know Amsterdam on March 2026 and later the same year HALŌ played at biggest festivals like Ultra Music Festival Miami, Ultra Europe and Tomorrowland Belgium.

'Live Again' arrives at the right moment and it is more than HALŌ’s first official release: it is the first real statement from a project built by three acts whose names have become deeply connected with modern progressive house.

In that sense, DubVision, Matisse & Sadko and Third Party feel almost like the Three Musketeers of progressive house, three different identities joining forces around the same musical language.

And maybe 'Live Again' carries an unintended second message too. Progressive house never really disappeared. It evolved, moved through different eras and waited for the right moment to remind us why we loved it in the first place.

Progressive never left. Now, with HALŌ, progressive is live again.

And if this is only the first step, it will certainly be interesting to see where HALŌ goes next.

Stay connected with dancetoday - follow us on social media for the latest stories, insights, and news shaping the electronic dance music world.

2c:T729,DubVision is a powerhouse Dutch electronic music production and DJ duo consisting of brothers Victor and Stephan Leicher. Formed in 2005, they are globally recognized for shaping the modern sound of melodic and progressive house music. The brothers grew up across different countries and were classically trained in piano from a young age at their parents' insistence. Victor later began experimenting with electronic production, which caught the interest of his older brother, Stephan. They officially joined forces and broke into the mainstream scene with hits like "All By Myself" and their 2012 collaboration "You & I" with Project 46. Over the years, DubVision became core fixtures on major labels like STMPD RCRDS and Armada Music, frequently collaborating with industry icons like Martin Garrix (on festival anthems like "Starlight (Keep Me Afloat)" and "Wherever You Are"). They released their highly anticipated debut studio album, Another World, in July 2024. HALŌ Membership In late 2025, DubVision expanded their musical footprint by forming the progressive house supergroup HALŌ alongside fellow heavyweight duos Matisse & Sadko and Third Party. The Vision: Billed as a collective to revive and champion the "renaissance of progressive house," HALŌ acts as a creative vehicle for the six producers to release emotive, festival-ready tracks and push the genre forward without boundaries. Live Shows & Music: HALŌ made their live debut at the Amsterdam Dance Event (ADE). They followed up with massive scale stadium and festival appearances across 2026, including a landmark live production at Amsterdam's Ziggo Dome, the Tomorrowland Mainstage, and Creamfields. Releases: The supergroup officially signed with Armada Music, releasing their long-teased debut collaborative single, "Live Again," in September 2026.2d:T6ad,Matisse & Sadko is a highly acclaimed Russian electronic music DJ and production duo consisting of brothers Aleksandr and Yury Parkhomenko. Hailing from Sosnovy Bor near Saint Petersburg, the duo officially formed in 2010 after both members initially started out as solo artists.They are widely regarded as global frontrunners of modern progressive house, known for crafting anthemic, deeply emotional mainstage melodies. Over the years, they have built a massive international presence through frequent releases on premier dance labels like STMPD RCRDS, Spinnin' Records, and Size Records. Signature Collaborations: They are best known for their extensive collaborative work with Martin Garrix, co-producing era-defining progressive house anthems such as "Dragon," "Break Through the Silence," "Forever," "Together," and "High On Life". They also famously collaborated with Steve Angello on "SLVR" and Tiësto on "Dawnbreaker". HALŌ Membership In late 2025, Matisse & Sadko took a monumental step in their career by co-founding HALŌ, an electronic music supergroup. The Collective: The group is a collaborative powerhouse consisting of three of the most prominent acts in the progressive house genre: Matisse & Sadko, DubVision, and Third Party. Launch & Shows: Following a surprise pop-up preview at Amsterdam Dance Event (ADE) in October 2025, HALŌ made its official, massive live festival debut on March 7, 2026, at the Ziggo Dome in Amsterdam for Don't Let Daddy Know (DLDK). Music: Operating as a unified front to usher in a renaissance for mainstage progressive house, the supergroup signed with Armada Music and released their highly anticipated debut single, "Live Again," in September 2026. 2e:T604,Third Party is a premier British progressive house DJ and production duo consisting of childhood friends Jonnie Macaire and Harry Bass. Emerging from Essex, London in 2010, the duo quickly commanded international attention when their breakout track "Release" caught the ear of Swedish House Mafia's Steve Angello, who signed them to Size Records. Renowned for their emotionally charged melodies and high-energy mainstage anthems, Third Party has released two widely acclaimed studio albums, Hope (2017) and Together (2019). They are best known for timeless progressive house classics, including "Everyday Of My Life", "Lions in the Wild" (their massive collaboration with Martin Garrix), and the hit "Carry You". HALŌ Supergroup Membership Further elevating their status in the electronic music community, Third Party joined forces with fellow progressive house heavyweights DubVision and Matisse & Sadko to form the electronic supergroup HALŌ. The Vision: Billed as a unified creative alliance rather than a simple side project, HALŌ blends Third Party's signature melodic energy with DubVision's emotional power and Matisse & Sadko's sonic elegance to drive the progressive house genre forward. Live & Music: Operating under the label Armada Music, the collective made their grand live debut at the Amsterdam Dance Event and launched their debut single, "Live Again". They continue to perform exclusive, high-production live showcases at major global arenas and festivals, including the Ziggo Dome in Amsterdam and NEON Halloween.2f:T110f,

John Summit returns with his second studio album, "CTRL ESCAPE", a project that further solidifies his rapid rise within the global dance music scene. Following the success of Comfort In Chaos (2024), Summit appears more refined and creatively focused, delivering a body of work that effortlessly bridges underground credibility with mainstream appeal. The album feels like a sonic “escape", capturing the intensity and emotional pull of modern club culture.

On "CTRL ESCAPE", Summit expands his signature tech-house sound by incorporating more melodic and atmospheric elements, adding depth and versatility to the project. Tracks like "Cyanide" and "Time With You", already stand out as highlights, balancing peak-time energy with more introspective moments. At the same time, collaborations with a diverse range of artists enhance the album’s dynamic, making it accessible to a wider audience without losing its club-driven identity.

John-Summit-Credit-Courtesy-of-Universal-Music-billboard-1548.webp

The album’s creation is closely tied to Summit’s experience as a touring artist, with many tracks tested live on major stages before being finalized in the studio. This process gives "CTRL ESCAPE" a distinctly immersive quality, translating the raw energy of the dancefloor into a cohesive listening experience. The result is an album that works equally well in club settings and personal listening environments.

The album consists of 13 tracks, showcasing the full spectrum of his sound:

STATUS: AWAY
SHADES OF BLUE (w/ Devault, Julia Church)
SATA (w/ Rohaan)
WITH ME (w/ Julia Wolf)
DON’T BELIEVE IT (w/ Absolutely)
LIGHTS GO OUT
MESS W/ ME (w/ Nija)
CHICA 305 (w/ Feid)
ALL THE TIME (w/ The Chainsmokers, Ilsey)
OOO
SHADOWS (w/ LAVINIA)
TIME WITH YOU (w/ KILIMANJARO)
CYANIDE (w/ Absolutely)

With CTRL ESCAPE, John Summit cements his position as one of the most influential artists in contemporary electronic music, delivering an album that not only follows current trends but actively helps shape the future of the global club scene.

Stay connected with dancetoday - follow us on social media or join our Discord community for the latest stories, insights, and news shaping the electronic dance music world.

30:T1a56,

“Less is more” might sound like a cliché, but in modern electronic music production, it’s becoming a philosophy worth revisiting. With an overwhelming number of plugins available today, producers often find themselves chasing the perfect sound instead of actually finishing tracks. So the question stands: does having more tools make you more creative, or just more distracted?

According to Fred again.., the answer is clear. Speaking on the Tape Notes podcast with host John Kennedy, the acclaimed producer shared a perspective that challenges the plugin-heavy culture many artists fall into.

Fred admits that, like many producers, he has spent countless hours diving deep into plugin choices, obsessing over minor differences between EQs, compressors, and distortions. In hindsight, he sees much of that time as wasted.

His solution is surprisingly simple: limit your toolkit.

By stripping his Logic Pro setup down to a small selection of trusted plugins, Fred has removed unnecessary friction from his workflow. Instead of scrolling through endless menus, he works with a curated set of around 8 to 12 plugins, all housed in a single streamlined menu.

The result is not just efficiency, but clarity.

fredagain_tinydesk_selects-5-efc639212a8559a8d8a51ceb283b6e26c78efc1d.jpg

At the core of Fred’s advice is a shift in focus. When producers spend too much time comparing technical tools, they risk losing sight of what actually matters: the music itself.

He points out a common pitfall. You can get so caught up choosing between compressors or tweaking subtle settings that you stop asking the important questions. Does the chorus feel right? Is the chord progression emotionally effective? Is the track saying something?

These are the decisions that define a record, not which EQ you used.

By reducing options, you free up mental space to listen more deeply and make better creative choices.

That said, Fred doesn’t advocate for minimalism across the board. He draws a clear distinction between functional mixing tools and creative instruments.

While EQs, reverbs, and compressors may offer diminishing returns when endlessly compared, experimental plugins are a different story. New synths and unusual sound design tools can spark ideas, introduce happy accidents, and push a track in unexpected directions.

In his view, these playful, unpredictable plugins are worth exploring. They serve inspiration rather than perfection.

Fred’s message isn’t about restricting creativity. It’s about protecting it.

Choose a handful of plugins you genuinely like. Learn them deeply. Build your workflow around them. Then stop searching.

Because at the end of the day, no listener will ever ask which compressor you used. But they will feel whether your music connects.

And that’s something no plugin can fix.

Stay connected with dancetoday - follow us on social media or join our Discord community for the latest stories, insights, and news shaping the electronic dance music world.

31:T2f7b,

On Friday 13/2/2026, during his USB002 residency at the iconic Alexandra Palace, Fred again.. invited the absolute pillars of UK electronic music on stage, Underworld, for an iconic B2B performance. And when “Born Slippy” echoed across that historic hall, it felt like time folded in on itself.

Because exactly 30 years ago, on 23/2/1996, "Trainspotting" was released. Directed by Danny Boyle, the film did more than shock audiences... it redefined how electronic music, rave culture and club identity were perceived worldwide.

So, this article is not just nostalgia. It is education. Also, for the older generation, it is a reminder. For the younger generation, it is context. And for artists and producers, it is a lesson.

Trainspotting: More Than a Film

When "Trainspotting" hit cinemas in 1996, rave culture was still largely underground. Yes, clubs were thriving, warehouses were full and Ibiza was evolving. But mainstream cinema had rarely taken electronic music seriously as a narrative force.

And "Trainspotting" changed that.

Instead of treating club tracks as background noise, the film placed electronic music at the emotional core of its storytelling. The soundtrack was not decoration. It was identity.

Based on Irvine Welsh’s novel, the film followed a group of friends navigating addiction, alienation and the search for meaning in 90s Britain. It captured a generation suspended between nihilism and possibility.

And its sonic backbone helped define that feeling. The soundtrack included acts like Iggy Pop, New Order, and of course Underworld. But one track became immortal:

Underworld - Born Slippy .NUXX

Originally released in 1995 as a B-side, “Born Slippy” was not designed to be a global anthem. Yet cinema transformed it!

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The Final Scene That Changed Everything

If you have seen "Trainspotting", you remember the final scene: Renton walks away. The monologue begins. The tension builds. And then... “Born Slippy” explodes.

It was not just music placed over visuals. It was synchronization at its most powerful. The track became the emotional release valve of the entire narrative. The repetitive, hypnotic structure mirrored the chaos of the characters’ lives. The fragmented lyrics reflected confusion and disorientation. The relentless drive felt like escape.

That moment turned a club track into a cultural symbol. After the film’s release, “Born Slippy” climbed to #2 on the UK charts and Underworld became one of the defining electronic acts of the decade.

But its deeper impact was not commercial. It was psychological.

How "Trainspotting" Redefined Club Culture

Before "Trainspotting", rave culture was often portrayed as hedonistic, shallow or dangerous. However, after "Trainspotting", it became cinematic. The film did not romanticize addiction. It did not sanitize chaos. Yet it treated the soundtrack with seriousness and emotional weight.

And electronic music was no longer just party music.

It became:

A vehicle for storytelling
A reflection of urban alienation
A symbol of generational identity
A bridge between underground and mainstream

This shift mattered, because culture moves when narrative changes.

Trainspotting helped move electronic music from warehouses into living rooms, from subculture into collective consciousness. In many ways, it did for 90s rave what punk documentaries did for the 70s. It gave it myth.

For deeper context on 90s rave history, platforms like the British Film Institute and electronic music archives such as Resident Advisor’s long-form features offer valuable background reading.

Born Slippy: From Track to Anthem

“Born Slippy” is not a conventional pop song. Its structure is hypnotic rather than melodic. Its vocals are fragmented rather than clear. Its emotional arc builds gradually rather than exploding instantly.

That's why it works in clubs. And that's why it worked in "Trainspotting".

The track became:

A symbol of 90s rave consciousness
An expression of alienation and freedom
A sonic bridge between underground techno and mainstream culture

Even today, when a DJ drops “Born Slippy” at 6AM, something changes in the room. It is not just nostalgia. It is collective memory. And 30 years later, it remains one of the most powerful closing tracks in club history.

Why This Still Matters in 2026

Seeing Fred again.. play B2B with Underworld at Alexandra Palace was more than a cool booking. It was symbolic continuity.

Fred again.. represents a generation raised on emotional sampling, storytelling through production, and digital-native club culture, while Underworld represent the architects of a previous era.

But the bridge between them is narrative-driven electronic music. And that bridge was strengthened by "Trainspotting".

And for younger ravers, understanding this context is essential. Club culture did not just start with TikTok edits or Spotify playlists. It was built in warehouses, documented in cinema, and amplified through moments like that final "Trainspotting" scene.

Also, for older ravers, revisiting the film is not just nostalgia. It is remembering where part of this movement crystallized.

The Business Lesson for Artists and Producers

From my point of view, there is also a music business lesson here: "Trainspotting" demonstrates the power of synchronization. A well-placed track in film can transform a B-side into a global anthem.

Today’s equivalent might be a Netflix series placement, a viral clip, or a cinematic moment in digital media. But the principle remains: Music becomes timeless when it connects to narrative.

So, as artists, producers and DJs, we should not only think about streams. We should think about moments. Because moments create legacy.

Conclusion: Why You Should Watch It

"Trainspotting" is not just a 90s cult film. It is a cultural documentary. It shows how electronic music moved from subculture to mainstream without losing its emotional weight and demonstrates how cinema can elevate a track into mythology.

If you lived through that era, watch it again.

If you were born after it, you should watch it as well to understand what shaped today’s club culture.

Because when “Born Slippy” plays, you are not just hearing a track. You are hearing history. And history, when understood, makes you a better artist, a better DJ, and a more conscious participant in the culture we all claim to love.

Stay connected with dancetoday - follow us on social media for the latest stories, insights, and news shaping the electronic dance music world.

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I began decoding dance music before I could even name it… and that curiosity never left. I’ve been a selector since the late 2000s, drawn to long-form, storytelling sets that gently flow between house, techno, and space-infused underground sounds.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Alongside my academic path - MEng in Mechanical & Aeronautical Engineering, MSc in Engineering Business Management, and an ongoing PhD in Computer Science - I’ve always believed in building bridges between disciplines and people. That mindset led me to co-found Nibiru Mission, a space-inspired record label and creative platform, and to launch SIR KRIS, my personal DJ/producer project.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"That’s also why I’m part of dancetoday: because I believe in real connection, beyond trends, algorithms, and hype. 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In 2014, he collaborated as co-producer and songwriter with Eno and Karl Hyde on their two project albums Someday World and High Life (songwriter only).","specialArtist":null,"externalId":null,"spotifyId":null,"instagramUrl":null,"spotifyUrl":null,"websiteUrl":null},{"id":17512,"documentId":"m2osmcg6k0a594no0bqkh960","Name":"Skrillex","createdAt":"2026-10-06T13:55:59.708Z","updatedAt":"2026-10-06T13:58:39.121Z","publishedAt":"2026-10-06T13:58:39.293Z","locale":"en","slug":"skrillex","spotifyImageUrl":"https://i.scdn.co/image/ab6761610000e5eb09a2575e4cfa8af8bce207d1","bio":"Skrillex is the pseudonym used by Los Angeles, California, USA musician Sonny Moore to differentiate his electronic solo work from his work with From First to Last and his other solo projects. \n\nAs Skrillex, Moore is an electronic DJ and producer boasting a musical style that incorporates electro house, fidget house, and brostep. 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By 2021, the label’s chapter came to an end, but the vision behind it still lives inside me.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Today I continue to discover and share new music that inspires me, and build bridges between creators and listeners. For me, music isn’t something distant or untouchable, it’s the friend who comforts you, the spark that inspires you, and the bridge that brings you closer to others.","type":"text"}]}],"slug":"zisis-georgoulas","role":"Editor"},"music_genres":[{"id":30,"documentId":"cbrk7z4nhv9kcs88uv1dkiys","name":"EDM","createdAt":"2025-06-04T18:47:51.871Z","updatedAt":"2025-07-05T11:30:43.727Z","publishedAt":"2025-07-05T11:30:43.797Z","locale":"en","slug":"edm","externalId":null},{"id":32,"documentId":"pofqhezvnurg51mxbgzanum3","name":"House","createdAt":"2025-03-22T09:57:49.733Z","updatedAt":"2025-07-05T11:31:10.317Z","publishedAt":"2025-07-05T11:31:10.369Z","locale":"en","slug":"house","externalId":null},{"id":36,"documentId":"s3xheab7w22rhpoc2hlramqe","name":"Trance","createdAt":"2025-06-04T18:06:53.749Z","updatedAt":"2025-07-05T11:31:55.457Z","publishedAt":"2025-07-05T11:31:55.503Z","locale":"en","slug":"trance","externalId":null},{"id":35,"documentId":"e3t7v7dg3jsq86uidgaorxg2","name":"Techno","createdAt":"2025-03-22T09:57:11.604Z","updatedAt":"2025-07-05T11:31:47.583Z","publishedAt":"2025-07-05T11:31:47.632Z","locale":"en","slug":"techno","externalId":null}],"artists":[]},{"id":981,"Date":"2026-09-24","documentId":"vqfk844k2vdvk9g67mi4hywq","Title":"These Are the Artists the Greek Dance Scene Is Calling For - Part 1","createdAt":"2026-09-23T15:06:18.536Z","updatedAt":"2026-09-24T11:02:00.587Z","publishedAt":"2026-09-24T11:02:00.816Z","locale":"en","description":null,"slug":"these-are-the-artists-the-greek-dance-scene-is-calling-for-part-1","specialNews":null,"showInHome":null,"showInNavbar":null,"showInPages":null,"description2":"$27","Image":[{"id":931,"documentId":"cet1cplzcl2a06tg94vxvv8o","name":"Screenshot 2026-09-24 at 00.47.51.png","alternativeText":null,"caption":null,"width":1170,"height":733,"formats":{"large":{"ext":".png","url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1790208521/large_Screenshot_2026_09_24_at_00_47_51_aa87b10681.png","hash":"large_Screenshot_2026_09_24_at_00_47_51_aa87b10681","mime":"image/png","name":"large_Screenshot 2026-09-24 at 00.47.51.png","path":null,"size":1152.25,"width":1000,"height":626,"sizeInBytes":1152251,"provider_metadata":{"public_id":"large_Screenshot_2026_09_24_at_00_47_51_aa87b10681","resource_type":"image"}},"small":{"ext":".png","url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1790208521/small_Screenshot_2026_09_24_at_00_47_51_aa87b10681.png","hash":"small_Screenshot_2026_09_24_at_00_47_51_aa87b10681","mime":"image/png","name":"small_Screenshot 2026-09-24 at 00.47.51.png","path":null,"size":318.79,"width":500,"height":313,"sizeInBytes":318786,"provider_metadata":{"public_id":"small_Screenshot_2026_09_24_at_00_47_51_aa87b10681","resource_type":"image"}},"medium":{"ext":".png","url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1790208521/medium_Screenshot_2026_09_24_at_00_47_51_aa87b10681.png","hash":"medium_Screenshot_2026_09_24_at_00_47_51_aa87b10681","mime":"image/png","name":"medium_Screenshot 2026-09-24 at 00.47.51.png","path":null,"size":678.76,"width":750,"height":470,"sizeInBytes":678759,"provider_metadata":{"public_id":"medium_Screenshot_2026_09_24_at_00_47_51_aa87b10681","resource_type":"image"}},"thumbnail":{"ext":".png","url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1790208520/thumbnail_Screenshot_2026_09_24_at_00_47_51_aa87b10681.png","hash":"thumbnail_Screenshot_2026_09_24_at_00_47_51_aa87b10681","mime":"image/png","name":"thumbnail_Screenshot 2026-09-24 at 00.47.51.png","path":null,"size":84.87,"width":245,"height":153,"sizeInBytes":84869,"provider_metadata":{"public_id":"thumbnail_Screenshot_2026_09_24_at_00_47_51_aa87b10681","resource_type":"image"}}},"hash":"Screenshot_2026_09_24_at_00_47_51_aa87b10681","ext":".png","mime":"image/png","size":374.32,"url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1790208521/Screenshot_2026_09_24_at_00_47_51_aa87b10681.png","previewUrl":null,"provider":"cloudinary","provider_metadata":{"public_id":"Screenshot_2026_09_24_at_00_47_51_aa87b10681","resource_type":"image"},"createdAt":"2026-09-24T00:08:42.077Z","updatedAt":"2026-09-24T00:08:42.077Z","publishedAt":"2026-09-24T00:08:42.077Z","focalPoint":null}],"author":{"id":6,"documentId":"qz3dglcinou4zfv3227xf25y","name":"Chris Christopoulos","email":null,"createdAt":"2025-09-11T07:19:28.547Z","updatedAt":"2025-09-30T20:21:24.637Z","publishedAt":"2025-09-30T20:21:24.492Z","locale":"en","bio":[{"type":"paragraph","children":[{"text":"Born and raised in Patras, my journey into electronic music began really early, at the age of 4, digging through my father’s cassette tapes filled with funk, disco, and house DJ sets. I began decoding dance music before I could even name it… and that curiosity never left. I’ve been a selector since the late 2000s, drawn to long-form, storytelling sets that gently flow between house, techno, and space-infused underground sounds.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Alongside my academic path - MEng in Mechanical & Aeronautical Engineering, MSc in Engineering Business Management, and an ongoing PhD in Computer Science - I’ve always believed in building bridges between disciplines and people. That mindset led me to co-found Nibiru Mission, a space-inspired record label and creative platform, and to launch SIR KRIS, my personal DJ/producer project.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"That’s also why I’m part of dancetoday: because I believe in real connection, beyond trends, algorithms, and hype. 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Raised in a household of musicians with a recording studio on the ground floor, he spent years producing under the alias Maurice West before pivoting to tech-house and launching his new moniker in 2022. He shot to immediate international stardom with his explosive debut single, \"Drugs From Amsterdam,\" which went viral and racked up hundreds of millions of streams across platforms. Known for his infectious grooves and meticulously crafted basslines, Mau P has since landed massive hits like \"Beats For The Underground,\" earned his own Ibiza residencies, and shared festival mainstages from Coachella to Tomorrowland.","specialArtist":null,"externalId":null,"spotifyId":null,"instagramUrl":null,"spotifyUrl":null,"websiteUrl":null},{"id":1179,"documentId":"r76v8hjirr6f5i9jblqea9va","Name":"Chris Stassy","createdAt":"2025-11-26T10:47:41.997Z","updatedAt":"2026-09-23T15:12:28.017Z","publishedAt":"2026-09-23T15:12:28.203Z","locale":"en","slug":"chris-stassy","spotifyImageUrl":"https://i.scdn.co/image/ab6761610000e5eba81703becb327be560062711","bio":"$28","specialArtist":null,"externalId":null,"spotifyId":null,"instagramUrl":null,"spotifyUrl":null,"websiteUrl":null},{"id":1156,"documentId":"k6c555autvxc2reanyu9iyz8","Name":"HALŌ","createdAt":"2026-09-22T20:20:29.841Z","updatedAt":"2026-09-22T20:20:29.841Z","publishedAt":"2026-09-22T20:20:30.337Z","locale":"en","slug":"halo","spotifyImageUrl":"https://i.scdn.co/image/ab6761610000e5ebbd0dba67a8142a8676a8123c","bio":null,"specialArtist":null,"externalId":null,"spotifyId":null,"instagramUrl":null,"spotifyUrl":null,"websiteUrl":null},{"id":1188,"documentId":"n67axofdanjro79arl53vjh9","Name":"Joseph Capriati","createdAt":"2026-09-23T15:18:49.506Z","updatedAt":"2026-09-23T15:19:15.257Z","publishedAt":"2026-09-23T15:19:15.451Z","locale":"en","slug":"joseph-capriati","spotifyImageUrl":"https://i.scdn.co/image/ab6761610000e5eb519b1fea1993b50756565cee","bio":"Joseph Capriati first began to approach the world of DJing in 1998 at just the age of 11, with the passion for house and hip hop. From 1999 to 2004, he performs in some clubs in south Italy and plays with various international DJ's growing musically and converted to the music that will totally transform himself: techno!\n\nIn 2005, Capriati begins his interest in the music production with the desire to create his own music and play it. He began learning the use of music-programs in a recording studio of his friend.","specialArtist":null,"externalId":null,"spotifyId":null,"instagramUrl":null,"spotifyUrl":null,"websiteUrl":null},{"id":1191,"documentId":"c7glfrgenu3x8eoxo2uxkb48","Name":"SOSA","createdAt":"2026-09-23T15:20:13.558Z","updatedAt":"2026-09-23T15:22:12.346Z","publishedAt":"2026-09-23T15:22:12.573Z","locale":"en","slug":"sosa","spotifyImageUrl":"https://i.scdn.co/image/ab6761610000e5eb9160969569c1ffaaa79733df","bio":"SOSA (born Jay Bradford) is a Liverpool-born electronic music DJ and producer who has emerged as one of the UK’s most influential figures in house music. Renowned for his signature groovy, minimal tech-house sound and hypnotic beats, he first captured widespread international attention with his 2019 breakthrough club anthem \"DFCW\" released on Sola Records. His high-energy DJ sets and distinctive productions have earned backing from global electronic music tastemakers like Michael Bibi and The Martinez Brothers, landing his tracks on premier labels such as Hot Creations, Solid Grooves, and Ministry of Sound. 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Dom made the move to Melbourne, teaming up with high school mates hosting pub-discos & djing on weekends whilst working as a graphic-designer during the week.","specialArtist":null,"externalId":null,"spotifyId":null,"instagramUrl":null,"spotifyUrl":null,"websiteUrl":null},{"id":614,"documentId":"omx2iqgyrpnvua8mln5sr5d7","Name":"Prospa","createdAt":"2025-11-28T12:54:56.232Z","updatedAt":"2025-11-28T12:58:15.056Z","publishedAt":"2025-11-28T12:58:15.557Z","locale":"en","slug":"prospa","spotifyImageUrl":"https://i.scdn.co/image/ab6761610000e5eb695aceda1a09af723204d1d7","bio":"Leeds-based electronic duo Harvey Blumler and Gosha Smith (aka Prospa) chart a course through classic house and rave-era dance music. Growing up, both Blumler and Smith were more interested in rock music, with the former taking up drums and the latter learning guitar. In their teenage years, they gained an interest in electronic music production: Blumler started out by crafting dubstep inspired beats, whilst Smith was intent on making jazz-infused hip hop.","specialArtist":null,"externalId":null,"spotifyId":null,"instagramUrl":null,"spotifyUrl":null,"websiteUrl":null},{"id":601,"documentId":"jyqyo3c04cd0w7zyjch8aoas","Name":"Kettama","createdAt":"2025-11-26T17:12:57.227Z","updatedAt":"2025-11-26T17:14:40.497Z","publishedAt":"2025-11-26T17:14:40.922Z","locale":"en","slug":"kettama","spotifyImageUrl":"https://i.scdn.co/image/ab6761610000e5eb3a3bd9f5a64b22b563bef87b","bio":"Galway-born producer KETTAMA burst onto the house and electro scene in recent years, with the release of his 2018 EP Bucklyn Bridge, which featured the track B O D Y giving him a significant break. \n\nOther tracks by KETTAMA include Kilt, Eastside Avenue, Temperature Rising and The Way You Feel. 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