21:I[451931,["/_next/static/immutable/chunks/0x-9rc1bm-510.js","/_next/static/immutable/chunks/3c3f-22xoml17.js","/_next/static/immutable/chunks/2aysqd7pxmaii.js","/_next/static/immutable/chunks/1j9utsav0l80_.js","/_next/static/immutable/chunks/3p36ch-aq9oz_.js","/_next/static/immutable/chunks/1b31y0tag41wn.js","/_next/static/immutable/chunks/10twbbsv8xpvy.js","/_next/static/immutable/chunks/2yh-rx77963rh.js","/_next/static/immutable/chunks/3mk-ia1qyd5mm.js","/_next/static/immutable/chunks/35fhpglf18mmk.js","/_next/static/immutable/chunks/28m_qkqf1zp50.js","/_next/static/immutable/chunks/3mh4qchssoisj.js","/_next/static/immutable/chunks/26s8ya5u9xp77.js"],"default"] 22:I[951898,["/_next/static/immutable/chunks/0x-9rc1bm-510.js","/_next/static/immutable/chunks/3c3f-22xoml17.js","/_next/static/immutable/chunks/2aysqd7pxmaii.js","/_next/static/immutable/chunks/1j9utsav0l80_.js","/_next/static/immutable/chunks/3p36ch-aq9oz_.js","/_next/static/immutable/chunks/1b31y0tag41wn.js","/_next/static/immutable/chunks/10twbbsv8xpvy.js","/_next/static/immutable/chunks/2yh-rx77963rh.js","/_next/static/immutable/chunks/3mk-ia1qyd5mm.js","/_next/static/immutable/chunks/35fhpglf18mmk.js","/_next/static/immutable/chunks/28m_qkqf1zp50.js","/_next/static/immutable/chunks/3mh4qchssoisj.js","/_next/static/immutable/chunks/26s8ya5u9xp77.js"],"default"] 23:T1065,

Diplo joins forces with Local Singles and the unmistakable voice of Jem Cooke for their latest release, ‘Lift Me Up’. A track that effortlessly blends deep house warmth with a festival-ready groove.

The collaboration first caught attention when Diplo played it during his summer tour, instantly becoming one of the standout IDs in his sets. Now officially released, ‘Lift Me Up’ arrives as a perfect balance between underground energy and radio appeal. A signature move for Diplo, who continues to navigate between club culture and global crossover sounds.

Driven by a rolling bassline, uplifting chords, and Jem Cooke’s soulful, ethereal vocals, the track builds into an emotional yet infectious drop that captures the feeling of unity on the dancefloor. It’s a sound that recalls the golden moments of melodic house, while still carrying the crisp, modern production touch that defines today’s scene.

For Local Singles, the track marks another milestone in his steady rise, bringing his distinctive, groove-centered sound to a wider international audience. For Jem Cooke, known for her collaborations with CamelPhat and ARTBAT, ‘Lift Me Up’ further cements her position as one of electronic music’s most powerful vocalists, delivering another performance that feels both intimate and anthemic.

With ‘Lift Me Up’, Diplo continues to showcase his versatility and connection to the pulse of modern dance music. Expect this one to be a mainstay in both club sets and summer playlists worldwide.

Listen now to ‘Lift Me Up’, from Higher Ground, below.

Stay connected with dancetoday - follow us on social media or join our Discord community for the latest stories, insights, and news shaping the electronic dance music world.

24:T169c,

Ο Diplo ενώνει δυνάμεις με τον Local Singles και τη μοναδική φωνή της Jem Cooke για το νέο τους single, ‘Lift Me Up’. Ένα κομμάτι που συνδυάζει τη ζεστασιά της deep house με groovy φεστιβαλικούς ρυθμούς.

Η συνεργασία τράβηξε για πρώτη φορά την προσοχή όταν ο Diplo το παρουσίασε κατά τη διάρκεια της καλοκαιρινής του περιοδείας, με το κομμάτι να ξεχωρίζει αμέσως στα σετ του. Τώρα, με την επίσημη κυκλοφορία του, το ‘Lift Me Up’ έρχεται ως η τέλεια ισορροπία ανάμεσα στην underground ενέργεια και την ραδιοφωνική επιτυχία. Μια χαρακτηριστική κίνηση για τον Diplo, που συνεχίζει να κινείται με άνεση τόσο στην club κουλτούρα, όσο και στους global pop ήχους.

Με βαθύ bassline, ανεβαστικά synths και τα αιθέρια, γεμάτα ψυχή φωνητικά της Jem Cooke, το κομμάτι φτάνει σε ένα συναισθηματικό αλλά και χορευτικό drop, που αποτυπώνει τη στιγμή της ένωσης στο dancefloor. Ο ήχος του θυμίζει τις πιο χρυσές εποχές της house, χωρίς να χάνει τη μοντέρνα, καλοδουλεμένη παραγωγή που χαρακτηρίζει τη σημερινή σκηνή.

Για τον Local Singles, η κυκλοφορία αυτή αποτελεί ακόμη ένα βήμα στην ανοδική του πορεία, παρουσιάζοντας το ιδιαίτερο, groove-κεντρικό ύφος του σε ένα ευρύτερο διεθνές κοινό. Όσο για την Jem Cooke, γνωστή από τις συνεργασίες της με τους CamelPhat και ARTBAT, το ‘Lift Me Up’ επιβεβαιώνει για ακόμη μια φορά τον τίτλο της ως μία από τις πιο ξεχωριστές φωνές της ηλεκτρονικής μουσικής, με μια ερμηνεία που συνδυάζει συναίσθημα και δύναμη.

Με το ‘Lift Me Up’, ο Diplo συνεχίζει να αποδεικνύει την ευελιξία του και την ικανότητά του να παραμένει σε απόλυτο συγχρονισμό με τον παλμό της σύγχρονης dance σκηνής. Ένα κομμάτι που σίγουρα θα ακουστεί δυνατά σε clubs και καλοκαιρινά playlists σε όλο τον κόσμο.

Άκου τώρα το ‘Lift Me Up’ από τη Higher Ground, παρακάτω.

Μείνε συντονισμένος με το dancetoday - ακολούθησέ μας στα social media και μπες στην κοινότητά μας στο Discord για τα πιο φρέσκα νέα, τάσεις και θέματα που διαμορφώνουν τον κόσμο της ηλεκτρονικής μουσικής.

25:T35c4,

From Fred again.. to KI/KI’s “5 HOURS”, these are thirteen more picks from the dancetoday crew and community - and the nights we would love to live in Greece.

Some names make you check the date before you check anything else. Others become even more tempting when you see who is joining them behind the decks, or what kind of set they are playing. Following Part 1, our crew and community’s wishlist continues with thirteen selections. The order is not a ranking, and previous Greek appearances do not rule anyone out. We are thinking about the artists, partnerships and formats that would give us a reason to make plans around the music.

FRED AGAIN.. - From Athens Pop-Ups to a Bigger Dream

Fred again.. has a special place in the hearts of the dancetoday crew and community. “Delilah (pull me out of this)” is part of why: songs that feel personal, even when thousands share them. Greece has already experienced that closeness through his intimate September 2024 show at Lake Vouliagmeni, previewing his album ten days, and his Latraac pop-up parties in Athens in May 2025. So, those small settings make us want a full live show here even more.

For an artist who sold out the Los Angeles Memorial Coliseum, a Greek concert on that scale once felt like a distant wish to us. Now, imagine Fred at Kallimarmaro. The iconic setting and room for his full production could make this a date Greek fans plan their year around, with fans travelling from abroad, too. We would love to see Athens become the destination for one of those Fred nights people wish they had been part of.

SKRILLEX - Nine Grammys, and Still Making Us Curious

Skrillex has nine Grammy wins, including “Rumble” with Fred again.. and Flowdan in 2024. But we hear his genius in the records: from “Bangarang” and his “Cinema” remix to the very different sound of “Rumble”, he keeps making unfamiliar ideas feel instantly recognisable. His 2026 collaboration with Chase & Status, “Essa Tá Quente”, keeps that curiosity alive.

A late Greek festival headline set would be our choice. His name has weight across generations, with earlier fans bringing memories and newer listeners arriving through recent collaborations. We would want the full range of his selections. With Skrillex, the reputation draws you in, but the curiosity about what he will do next makes you want to stay.

CHASE & STATUS - Drum & Bass With the Pull of a Headliner

Chase & Status won the 2024 BRIT Producer of the Year award, with records that explain their reach. “Baddadan”, made with Bou, and the UK Number One “BACKBONE” with Stormzy have taken their music beyond the regular drum & bass audience. A sold-out UK arena tour and their Milton Keynes National Bowl event show the scale they can command.

For Greece, we would want a festival headline DJ set, with the sound system and space that their bass-heavy music deserves. Their name could bring dedicated bass listeners together, while those hits give newcomers a reason to join them. The attraction is drum & bass presented as the main event, by an act with the stature to carry it.

STEVE ANGELLO B2B SEBASTIAN INGROSSO - A Shared History Worth Gathering For

We are huge Swedish House Mafia fans at dancetoday, so Steve Angello and Sebastian Ingrosso have a special place in our hearts, too. Their connection goes back further than the group: childhood friends who were sharing records before Daft Punk helped send them into the studio together as teenagers. From Buy Now to their Tomorrowland B2B sets, that friendship has become a musical partnership worth seeing together.

For Greece, we would love a festival mainstage set that brings that history into the present. The attachment to the iconic “Don’t You Worry Child”, "Reload", "Greyhound" and their wider catalogues gives people a reason to gather, while their club selections offer another side of the pair. Two friends who helped shape our love of this music, sharing the decks here... that is a night we would really want to be part of.

JOHN SUMMIT - House Music on an Arena Scale

John Summit’s upcoming CTRL ESCAPE tour includes major North American arenas and a December booking at the Los Angeles Memorial Coliseum. That is a substantial step for an artist whose appeal starts with “Where You Are” with HAYLA. Alongside Experts Only, he now has both familiar records and a party identity people can follow.

We would picture a Greek festival headline set, bringing together listeners arriving through the songs and those following his club selections. A melodic vocal can invite people in, then the rest of the set gives them more to discover. We would love to catch him while that audience is growing.

MAX STYLER B2B LAYTON GIORDANI - Two Names On Their Way Up

Max Styler and Layton Giordani are building identities people can follow beyond individual releases. Max Styler’s 2026 I Don’t Think I Can Stop EP puts more music behind the attention, on his own Nu Moda label. Layton Giordani has MADMINDS and “When It Kicks” with Green Velvet, a record supported by names including John Summit and Solomun.

We would love an extended indoor B2B in Greece. Styler’s house hooks and Giordani’s heavier house-and-techno range could bring their listeners into the same room. Two names on the rise, sharing the decks—that is a night we would want to catch here.

MEDUZA B2B JAMES HYPE - Two Hitmakers, One OUR HOUSE Night

“Piece Of Your Heart” and “Ferrari” give MEDUZA and James Hype immediate recognition. OUR HOUSE gives them something to follow together: a shared party now in its fourth Ibiza year. Their recorded Amsterdam B2B also shows this partnership in the format we would want here.

An outdoor house stage in Greece feels like a strong fit. MEDUZA’s melodic appeal and Hype’s fast, hands-on mixing offer different attractions within the same set. Familiar records could bring people in, while the pairing gives the headline slot its own character. We would love a Greek OUR HOUSE-style night with this B2B at its centre.

MARCO CAROLA B2B FRANKY RIZARDO - Music On Weight Meets FLOW Momentum

Marco Carola brings a name people already associate with a whole night of partying. Music On gives that following somewhere to gather, while Franky Rizardo’s first FLOW residency at Pacha in 2026 shows his own party identity growing. Its August closing was listed as sold out, with records such as “Shinjuku” giving fans another reason to follow him.

For Greece, an extended outdoor house set would be our choice. Carola’s established pull meets an artist whose own parties are gaining ground. We would want a night built around the pair, with the groove and time to make the partnership the main attraction.

FISHER B2B CHRIS LAKE - A Party People Already Recognise

FISHER’s OUT 2 LUNCH welcomed more than 40,000 people in Australia in 2025, while Chris Lake released his debut album Chemistry that year. Together, their Under Construction project has a party identity of its own, documented in their three-hour-plus Hollywood Boulevard set. “Losing It” and “Turn Off The Lights” give each artist a recognisable connection.

For Greece, we would want a big outdoor house event centred on a long B2B. FISHER brings a larger-than-life party presence; Lake brings a catalogue club listeners have followed for years. Their shared concept gives followers of both something to gather around. We would love the full Under Construction experience here.

CASSIAN B2B KEVIN DE VRIES - A Pairing With Real Mainstage Weight

Cassian brings Grammy-winning mix work on RÜFÜS DU SOL’s “Alive”, while his pairing with Kevin de Vries already has a Tomorrowland mainstage set and a UNVRS set behind it. Their 2025 performance and shared “Payback” remix (of the Steve Angello and Dimitri Vangelis & Wyman original) give us a clear reason to want both names together.

We would picture a Greek festival headline slot after dark. That “Payback” connection could bring listeners with progressive-house memories alongside fans following their melodic techno direction today. Their shared music makes this a pairing worth seeing together.

HARDWELL - Spaceman Memories With a Harder Sound

Hardwell’s two DJ Mag Number One titles give his name real festival weight. And the attachment to his music is still visible: “Spaceman” placed eighth in the community-voted Tomorrowland Top 1000 in 2026. His harder REBELS NEVER DIE direction and “Bang On The Drums” with Bassjackers give that history a current musical context.

For Greece, we would want a festival mainstage headline set with production that suits his sound. The attraction is hearing a name associated with years of festival memories bring his harder music to that same scale. We would love a night where those older connections and his current direction make sense together.

MARLON HOFFSTADT - Daddy Trance Is Reaching Bigger Stages

Marlon Hoffstadt’s 2026 includes a Coachella Sahara debut and an Ultra B2B with Armin van Buuren. DJ Daddy Trance is reaching bigger stages, with “It’s That Time” giving fans something familiar to gather around. His August album Das Ist Daddy adds more music behind the growing attention.

We would love a late indoor rave in Greece built around his name. The fast rhythms, direct hooks and playful trance references give it a clear character, with the Armin pairing also giving older trance fans a reason to pay attention. Hoffstadt feels like an artist worth catching while the following and the opportunities are growing together.

KI/KI “5 HOURS” - A Whole Night Worth Commiting To

KI/KI’s rise now includes two upcoming Ziggo Dome “5 HOURS” shows on October 22 and 23, both listed as sold out. The show builds on the production concept she brought to a sold-out London Roundhouse. That is a following prepared to make her the reason for the whole evening.

She has already played Athens, so our wish is about experiencing this particular format here. A dedicated indoor night would be our choice. Also, “5 Mins Of Acid” gives the request a familiar musical connection. Her mix of acid, trance and techno gives the five-hour idea a clear musical identity, so, we would love to see Greek fans gather around that full experience.

Your Turn

These thirteen selections complete our crew and community’s two-part wishlist. Some carry years of memories, others have momentum we would love to catch, and several become especially appealing through a particular partnership or format.

Which would you most want to experience in Greece, and what kind of set would make you plan your night around it?

Stay connected with dancetoday - follow us on social media for the latest stories, insights and news shaping the electronic dance music world.

26:T55f,Cassian is a Grammy Award winning Australian DJ and producer based in Los Angeles, who has become one of the most sought-after names in the Melodic House and Techno scene. With over 100 million streams worldwide and 1.2 million monthly listeners, Cassian has proven to be a true master of his craft. He has released music on several culture leading labels such as Rose Avenue Records, Afterlife Records, and Odd One Out Records, earning him top chart positions on Beatport’s Melodic House and Techno Chart and Indie Dance Chart. The impact of his music has helped him land massive performances at some of the world's most prestigious music festivals, like Coachella and Lollapalooza, as well as countless top Nightclubs around the world, like Hi Ibiza and Printworks London. Beyond his own releases, Cassian's impressive resume includes mixing critically acclaimed albums for Australian trio RÜFÜS DU SOL, which earned him multiple ARIA awards, APRA awards, and a Grammy. He has also played an integral role in projects from Anyma, Hayden James, What So Not, Crooked Colours, Broods, Set Mo, Running Touch, and many more celebrated names, with his prolific work behind the scenes, landing him multiple gold & platinum certifications. With his unique sound and undeniable talent, Cassian is quickly becoming one of the most exciting and innovative artists in the industry.27:T4c4,Since his first release in 2015, Kevin De Vries has been on an astronomical ascent, carving out a niche for show-stopping, hybrid techno.   When a Kevin De Vries track shakes the room, time seems to pause, hang in the air and come crashing back down with unmistakable drama. His music pushes soundsystems to their limit, at once drawing on the power of techno and the euphoria of trance in a way unique to De Vries.   His releases and remixes have found homes on some of the most revered labels around: Sven Väth’s Cocoon, Adam Beyer’s Drumcode and most recently Tale Of Us’ label Afterlife. De Vries has become a firm favourite of the Afterlife faithful and a vital recording artist, with many event appearances and contributions to the label.   Kevin’s DJ sets translate the singular energy of his own music into extended journeys from cutting-edge sounds to 90s classics and back again. He has quickly become an in-demand DJ worldwide, consistently delivering stand-out performances for huge festivals and intimate clubs alike, as well as pushing his boundaries with back-to-back sets.   As this young artist continues to develop, collaborate and innovate, no creative stones will be left unturned. 28:T5d8,MEDUZA, Grammy-nominated Italian electronic music trio, have led the charge in returning house music to daytime radio globally with unprecedented success. Since their 2019 debut 'Piece of Your Heart', they've become the biggest streaming Italian artist in music history on Spotify and Apple Music, amassing nearly 20 billion cumulative streams, multiple top 10 chart hits across Europe, Number 1 Dance hits in the US, and multi-platinum certifications worldwide. Their signature sounds captivate audiences from nightclubs to mainstages, commanding insatiable demand across major festivals and residencies at Tomorrowland, EDC, Coachella, Las Vegas, and Ibiza. In summer 2024, MEDUZA unveiled the UEFA EURO 2024 Official Song 'FIRE' alongside OneRepublic and Leony. That season, they won Best Selling Remix of The Year at the Beatport Awards. In 2025, MEDUZA solidified their status as electronic music titans, blending infectious house grooves with innovative live elements. Their pinnacle was elevating 'Our House' with James Hype to Hï Ibiza's Theatre, running Mondays June through September. Beyond Ibiza, MEDUZA dominated festivals worldwide, headlining EDC Las Vegas, Tomorrowland, and Kappa FuturFestival, while dropping the tech house anthem "No Sleep" in October via Experts Only. Their collaboration "Another World" with HAYLA clinched Dance Song of the Year at the 2025 Electronic Dance Music Awards, underscoring a banner year of over 2 billion new streams and relentless innovation.29:T15c8,

There are nights that start with simply going out for music and end up meaning something much more. A festival, a club, a big open air event. Thousands of people who don’t know each other, suddenly standing under the same lights, listening to the same tracks and moving to the same rhythm. And somewhere in all of that, a stranger can become part of your group, a group can become a group of friends, and a random meeting can continue long after the last track has played.

It’s not just a nice idea. In psychology, the term “collective effervescence” is used to describe the intense feeling of connection that can emerge when many people take part in the same experience at the same time. A study published in the Personality and Social Psychology Bulletin, based on four studies and 789 participants, examined this connection in the context of live music events. The findings showed that this sense of collective connection was associated with greater enjoyment and a stronger sense of meaning during the event, as well as increased happiness one week later.

And maybe the most interesting part is that you don’t even need to talk to someone for that connection to begin. Research has found that moving together in sync can make people feel socially closer, even when they are complete strangers. In one experiment involving a silent disco, participants who moved to the same rhythm reported a stronger sense of connection than those who moved out of sync. Suddenly, the dancefloor starts to make a little more sense. Sometimes, the music is already doing the introduction for you.

There is also something physical behind that feeling. Studies on synchronized movement and group bonding have found that dancing together can be associated with an increased pain threshold and stronger feelings of connection between people. Researchers have suggested that the release of endorphins may play a role in this process. It doesn’t mean that every person you dance with is suddenly your best friend, of course. But it does help explain why sharing physical effort, rhythm and emotion with other people can make a night feel much more intense and much more memorable.

And maybe this explains why the people we meet on the dancefloor can sometimes feel different from the people we meet anywhere else. You don’t need to start with a conversation, shared interests or a particular reason to connect. Sometimes all it takes is a drop, a smile, a high-five or that look that says, “What the hell was that?” A shared musical experience creates a different kind of communication, where for a few hours, everyone seems to belong to the same thing.

This is also how our own community at Dancetoday has grown. Not only through music and content, but mainly through the people we have met along the way. The events, festivals and moments we have shared with our community have become one of the ways Dancetoday built its own identity and brought people together. People who may have met for the first time at an event, danced together, shared a track or simply a moment, and eventually became part of a group that keeps growing. Because a community is not built only through posts and stories. It is built where music becomes a real experience.

Maybe that’s why electronic music has its own way of creating memories. You might not always remember which track was playing at that exact moment. But you might remember who was standing next to you when the drop hit. And sometimes, the person you randomly met in a crowd of strangers becomes the person who is there with you at the next festival, the next trip, the next big night.

Because the dancefloor is not simply a place where we listen to music. It is one of the few places where, even for a few hours, thousands of different lives move to the same rhythm. And some of those lives may continue moving together long after the final beat.

Stay connected with dancetoday - follow us on social media or join our Discord community for the latest stories, insights, and news shaping the electronic dance music world.

2a:T37c2,

From an extended Chris Stassy session to a dedicated Tiësto trance set, these are eleven picks from the dancetoday crew and community - and why we want them happen in Greece.

A set lands in the group chat. Someone names the artist they would travel for. Before long, the conversation turns to Greece: imagine having that night here!

So, together with our community, the dancetoday crew has put together a wishlist of artists and specific sets we would love to experience on Greek dancefloors. These eleven selections open a two-part series, with room for returns, new encounters and different sides of familiar names. Of course, the order is not a ranking, and each choice comes down to the music, the setting and what would make the experience worth showing up for.

MAU P - The Breakthrough Has Become a Headline

Mau P has reached the point where his name can be the reason for the night. Baddest Behaviour returned to Pacha Ibiza for a second season in 2026, evidence of a career growing beyond the initial impact of “Drugs From Amsterdam”. He now has both recognisable records and a party identity people can follow.

That makes him a really appealing choice for Greece. His sound gives an audience something immediate to connect with: heavy bass, cheeky vocal hooks and the reggae sample at the centre of “Merther”. We see him fitting a substantial club date or an outdoor house event where familiar tracks bring people together and the selection keeps them moving. This is a chance to catch a headliner while his world is still expanding.

CHRIS STASSY - When the Crowd Becomes the Vocal

The hype around Chris Stassy has a particularly revealing soundtrack: “Breather”, his collaboration with S.A.M. At all Stassy's appearances, the crowd sings along to its melody - despite the track having no vocals - and doesn't stop dancing. That says something about the devotion surrounding the artist formerly known as Chris Stassy. Alos, his October 2026 USS dates in Manchester are already listed as sold out.

A crowd singing instrumental melodies of an artist tells you more about a following than a follower count. That is the appeal for Greece: a following that could turn a house night into a shared occasion, built around musical details fans already care about. An extended set would be our choice, allowing the rolling basslines and patient transitions to earn that collective release.

CARL COX - The Name That Connects Generations

Carl Cox carries the kind of stature that can make a booking feel significant across generations. He keeps giving people reasons to return: his 2026 UNVRS residency spans house and techno, including all-night sessions. In a recent Pollstar interview, he explained how the room guides his next record, including when to ease from harder techno towards groove or melody.

For a Greek event, that combination matters. The reputation gives people a reason to gather; his responsiveness gives the gathering somewhere to go. We can imagine experienced ravers and younger clubbers finding common ground in a substantial DJ set. Cox’s history brings weight to the poster, but the attraction is what he can do with the dancefloor in front of him now. Oh yes, oh yes!

RÜFÜS DU SOL - The Scale of a Shared Feeling

RÜFÜS DU SOL belong here because their music gives people something to carry into a room with them: a lyric, a memory, a melody that has stayed around longer than expected. Of course, “Innerbloom” makes that shared feeling explicit. And RÜFÜS DU SOL have taken that connection to an extraordinary scale. Their Inhale/Exhale tour generated $158 million and sold 1.7 million tickets, becoming the highest-grossing electronic tour in Billboard Boxscore history!

Of course, the format matters. A full live show centres the band performing its songs, with vocals and instruments, while a DJ set opens a different conversation through the records they select. Altough we would prefer a full live show, we would welcome either in Greece, with the billing clear about the experience. Their music can make a crowded night feel strangely personal... and that emotional connection is what we would want to share, whether through the songs themselves or their club influences.

KETTAMA - A Rave Favourite Growing Bigger

Being dancetoday’s 2025 Breakthrough Artist Of The Year, KETTAMA’s rise has reached well beyond a promising run of club tracks. His Archangel album was accompanied by a sold-out Brixton Academy headline show, while 2026 brought a nine-week Amnesia residency. So, there is a clear sense of an artist whose audience is growing with the music.

“Yosemite”, with Interplanetary Criminal, captures the appeal: forceful rhythms meeting the kind of melody people attach themselves to. His blend of house, trance and rave influences gives us a strong case for a late festival slot in Greece, especially for listeners who want physical intensity with an emotional payoff. KETTAMA makes the big chord change feel as important as the kick drum. Catching him at this stage would mean meeting a growing movement while its excitement still feels immediate.

MICHAEL BIBI - A Following You Could Build a Night Around

Michael Bibi’s pull is visible in the events built around him. His 2024 One Life show at Finsbury Park drew 45.000 people, and the promoter listed his 2026 London date on the Thames as sold out. Through his own shows and Solid Grooves, he has built a following around a recognisable way of partying.

And his music explains why we would want that here. “Mobile Groove” turns a Nokia ringtone into club material, while “MYSTERY OF RAW” with KETTAMA samples Wu-Tang Clan. For Greece, an extended headline set in an indoor venue would make most sense to us, as it could let fans gather around a more club setting and a shared taste, and give newcomers an accessible way in. Bibi gives fans a party they can feel part of before they even walk in.

TIËSTO - Back to the Trance Roots

A dedicated Tiësto trance set is essential to this selection. For listeners whose relationship with electronic music grew through his early records and sets, it carries genuine nostalgia. For younger fans, it offers a chance to experience the musical identity behind so much of his reputation. And this is already happening: Dreamstate 2025, Creamfields 2026, “Bring Me To Life” featuring FORS and Tiësto In Concert being back again after over 20 years make the return to trance a current story.

Hearing this side of Tiësto in Greece feels especially appealing while he is actively exploring it again. What we would love in Greece is the space for those melodies to develope. Older listeners might arrive with years of memories, while younger ones could encounter that side of his music at full scale for the first time. The set would not need to be classics-only. Give the older records and newer material a coherent place together, and the appeal becomes a shared experience across generations.

PROSPA - The Momentum Has an Album Behind It

Prospa now have a bigger musical statement behind the buzz. Their debut album, Free Your Mind, arrived on CircoLoco Records in June 2026, bringing their rave background into a fuller collection of house grooves, organ chords and expressive vocals. It gives listeners more reasons to connect with the duo than a single standout release.

We see a good fit for Greece in that mixture of club credibility and songs people can take home. The disco guitar and vocal warmth of “This Rhythm” featuring RAHH, show how easily their music can invite people in. An open-air evening moving into darkness feels like a setting worth imagining a DJ set that could connect those familiar moments with their wider selections. Prospa offer the excitement of an act growing into a bigger stage while keeping the pleasure of the party close.

DOM DOLLA - House Music With a Bigger Reach

Dom Dolla is now taking house records into stadiums. His sold-out Allianz Stadium debut in Sydney in December 2025 has been followed by a Marvel Stadium booking for September 24, 2026. That is a substantial platform for an artist whose appeal still starts with records built to make people dance. “Dreamin” featuring Daya, helps explain the crossover: a simple, memorable melody and a vocal with an emotional story.

For a Greek festival, we see the potential to bring regular house listeners around the world together with people arriving through the songs. Dom Dolla can make the hook an invitation into the rest of the set, while even a simple melody can bring someone to the dancefloor before they know anything about the DJ. His inclusion is about that widening reach, and the prospect of a headline performance that feels welcoming without losing its club foundations.

HALŌ - The Three Musketeers of Progressive

Third Party, DubVision and Matisse & Sadko: our Three Musketeers of mainstage progressive house. As HALŌ, these three acts bring together established fan connections, a shared musical language and a new reason to pay attention. Their debut release, “Live Again”, arrived on Armada on September 18, giving the project music of its own to build around.

As we put it in our recent article, progressive never left. And now, with HALŌ, progressive is live again. For Greek fans drawn to those big melodies and moments of collective release, this could be a festival date to plan around. The attraction is hearing familiar catalogues feed into something new, with three acts committed to the same feeling. For a Greek mainstage, that mix of beloved records and new music feels worth backing.

JOSEPH CAPRIATI B2B SOSA - A Pairing With Its Own Pull

Joseph Capriati B2B SOSA has the appeal of an occasion built around a specific partnership. Capriati brings the stature of a selector whose Metamorfosi nights connect house and techno, while SOSA brings a newer generation’s minimal and deep-tech approach, represented on this year’s Just Like That EP. Their different positions in the scene make the meeting interesting.

However, there is also another recent evidence behind the idea: the pair closed the Steel Yard at Creamfields 2026, with their performance being among its weekend highlights. For Greece, this B2B could give followers of both artists a reason to gather, with curiosity about the exchange adding to the draw. Of course, we would want an extended set for the grooves to deepen and the pressure to change. The combination itself should be the reason to attend.

Your Turn

These are the first eleven selections from our crew and community, and Part 2 will bring more into the conversation. The setting matters as much as the name: a longer club session, a live show or a particular musical direction can change the whole appeal.

Which of these would you most want to see in Greece, and what kind of set would make it worth the wait?

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2b:T5d6,CHRIS STASSY is a producer and label boss who has spent the past decade building a world around his own approach to house music. What began in the underground has grown into a global project spanning music, events, a label and a community, still rooted in the clubs and culture that shaped him. In August 2026, Chris entered a new phase under the name CHRIS STASSY. One letter separates it from the name before, but little else changes - same mind, same music, same vibe. A continuation rather than a reset. That world took shape through Up The Stuss, the label he founded in 2020 and now one of house music's most recognisable independent imprints, home to his own productions and a wider roster of forward-thinking artists. The same instincts define Chris behind the decks, from underground institutions and 10-hour extended sets to Awakenings, Timewarp, Coachella, Pukkelpop and Alexandra Palace, with Ibiza central through Circoloco, Paradise and Solid Grooves. His productions and remixes - including his #1 flip of Moby's 'Go' - reflect an artist refining his own musical language rather than following a formula. In 2025 he launched USS, his own event series, alongside N.A.M.E., his free party concept. In 2026 came his debut album 'Lost, Found & Forgotten...', with headline shows beyond the club at the Eiffel Tower and Alexandra Palace, and his first AV show 'Linger' at Lowlands and Creamfields. Now, as CHRIS STASSY, the project moves forward with the same foundations intact.2c:T52a,A name that resonates thoughts of quality and fresh flavours, Michael Bibi’s take on today's current electronic music environment has seen him flourish into a highly accomplished producer and DJ. The UK based new kid has stamped his mark with a string of musical successes, carving out and establishing a distinct signature sound that has translated into support from some of the industry’s biggest names, whilst his longstanding and instinctive love for the party provides a continued source of motivation and dedication. Bibi’s raw passion for music has been with him since childhood. His father, a touring artist within the Blues and Jazz scene, provided his first insight into the world of music, with Michael accompanying him on tour and exposing his eyes and ears to the scenes never-ending influences - and today it is these influences that he draws upon to combine with his slick, up-front and personal take upon house music. As of recent, Michael has been making a name for himself with his unique production style and off-the-wall vocals, releasing material on the likes of Snatch!, VIVa, Lost Records, and of course his own labels Solid Grooves and SG Raw. With a stock of unreleased productions and global dates on the horizon, look out for Michael Bibi coming to share a party a moment with you soon!2d:T41f,Tiësto has consistently redefined, reshaped, and reignited electronic music, impacting popular culture in the process. Renowned for multiplatinum international anthems, history-making performances, and boundless creativity, it would be impossible to imagine the genre without his influence. The GRAMMY® Award-winning international icon effectively pioneered the “Las Vegas DJ residency” as we know it, emerged as “the first DJ to perform at the Olympics,” and delivered smashes across the last three decades. His career sales have surpassed 40 million albums, he has earned eight Billboard Hot 100 hits, amassed over 30 billion streams, and collected more than a dozen RIAA certifications for multiplatinum, platinum, and gold singles. This creative season has seen him triumphantly revisit the melodic deep house sound he helped innovate, bringing his career full circle. Enshrined as one of the most influential and inventive DJ/producers of all time, Tiësto continues to break boundaries and elevate electronic music to unparalleled heights.2e:T102a,

When three names like DubVision, Matisse & Sadko and Third Party decide to join forces, it is hard not to expect something huge. All three artists have built their own history in progressive and festival sound, and now, through HALŌ, they are bringing a different side of their music together.

The first official result of this collaboration is 'Live Again', released on September 18th through Armada Music. From the very first seconds, you can understand that a new progressive anthem will unfold. Driven by big festival Melodies & high energetic vocals with strong feelings, elements which showcase why progressive is one of the best genres in the scene.

Speaking about the release and the journey behind HALŌ, the group says:

“It's been almost a year since we first came together and started HALŌ, so it feels incredibly special to finally be releasing the music we've been creating since that very first day. We know people have been waiting to hear what we've been working on, but the best things take time, and we never wanted HALŌ to feel like a gimmick or something we rushed into. This is a new journey for all five of us, and from the beginning we've wanted to put our hearts and souls into every release, every show and every piece of art we create together.

'Live Again' feels like the perfect place to begin. It's a true representation of why we all do this, and the way the five of us came together and connected through this track captures what HALŌ is really about. Hopefully, when people hear it, they'll feel some of that connection too.

At its heart, 'Live Again' is about rebuilding when times are tough, finding strength when you need it most, and having the courage to move forward. Sometimes life knocks you down, and you have to find a way to pick yourself back up. Sometimes you have to find the courage to live again.”

And perhaps that is what makes 'Live Again' stand out. It does not try to hide the influences of the three artists. Instead, it takes the elements we have come to love in their productions, big melodies, emotional breakdowns and powerful drops and brings them together under one new identity.

HALŌ, of course, had already started taking shape before the release. The three artists had performed together at major events as B2B/B3B, while in 2026 the project stepped onto a bigger stage. The debut as HALŌ took place at Don't Let Daddy Know Amsterdam on March 2026 and later the same year HALŌ played at biggest festivals like Ultra Music Festival Miami, Ultra Europe and Tomorrowland Belgium.

'Live Again' arrives at the right moment and it is more than HALŌ’s first official release: it is the first real statement from a project built by three acts whose names have become deeply connected with modern progressive house.

In that sense, DubVision, Matisse & Sadko and Third Party feel almost like the Three Musketeers of progressive house, three different identities joining forces around the same musical language.

And maybe 'Live Again' carries an unintended second message too. Progressive house never really disappeared. It evolved, moved through different eras and waited for the right moment to remind us why we loved it in the first place.

Progressive never left. Now, with HALŌ, progressive is live again.

And if this is only the first step, it will certainly be interesting to see where HALŌ goes next.

Stay connected with dancetoday - follow us on social media for the latest stories, insights, and news shaping the electronic dance music world.

2f:T729,DubVision is a powerhouse Dutch electronic music production and DJ duo consisting of brothers Victor and Stephan Leicher. Formed in 2005, they are globally recognized for shaping the modern sound of melodic and progressive house music. The brothers grew up across different countries and were classically trained in piano from a young age at their parents' insistence. Victor later began experimenting with electronic production, which caught the interest of his older brother, Stephan. They officially joined forces and broke into the mainstream scene with hits like "All By Myself" and their 2012 collaboration "You & I" with Project 46. Over the years, DubVision became core fixtures on major labels like STMPD RCRDS and Armada Music, frequently collaborating with industry icons like Martin Garrix (on festival anthems like "Starlight (Keep Me Afloat)" and "Wherever You Are"). They released their highly anticipated debut studio album, Another World, in July 2024. HALŌ Membership In late 2025, DubVision expanded their musical footprint by forming the progressive house supergroup HALŌ alongside fellow heavyweight duos Matisse & Sadko and Third Party. The Vision: Billed as a collective to revive and champion the "renaissance of progressive house," HALŌ acts as a creative vehicle for the six producers to release emotive, festival-ready tracks and push the genre forward without boundaries. Live Shows & Music: HALŌ made their live debut at the Amsterdam Dance Event (ADE). They followed up with massive scale stadium and festival appearances across 2026, including a landmark live production at Amsterdam's Ziggo Dome, the Tomorrowland Mainstage, and Creamfields. Releases: The supergroup officially signed with Armada Music, releasing their long-teased debut collaborative single, "Live Again," in September 2026.30:T6ad,Matisse & Sadko is a highly acclaimed Russian electronic music DJ and production duo consisting of brothers Aleksandr and Yury Parkhomenko. Hailing from Sosnovy Bor near Saint Petersburg, the duo officially formed in 2010 after both members initially started out as solo artists.They are widely regarded as global frontrunners of modern progressive house, known for crafting anthemic, deeply emotional mainstage melodies. Over the years, they have built a massive international presence through frequent releases on premier dance labels like STMPD RCRDS, Spinnin' Records, and Size Records. Signature Collaborations: They are best known for their extensive collaborative work with Martin Garrix, co-producing era-defining progressive house anthems such as "Dragon," "Break Through the Silence," "Forever," "Together," and "High On Life". They also famously collaborated with Steve Angello on "SLVR" and Tiësto on "Dawnbreaker". HALŌ Membership In late 2025, Matisse & Sadko took a monumental step in their career by co-founding HALŌ, an electronic music supergroup. The Collective: The group is a collaborative powerhouse consisting of three of the most prominent acts in the progressive house genre: Matisse & Sadko, DubVision, and Third Party. Launch & Shows: Following a surprise pop-up preview at Amsterdam Dance Event (ADE) in October 2025, HALŌ made its official, massive live festival debut on March 7, 2026, at the Ziggo Dome in Amsterdam for Don't Let Daddy Know (DLDK). Music: Operating as a unified front to usher in a renaissance for mainstage progressive house, the supergroup signed with Armada Music and released their highly anticipated debut single, "Live Again," in September 2026. 31:T604,Third Party is a premier British progressive house DJ and production duo consisting of childhood friends Jonnie Macaire and Harry Bass. Emerging from Essex, London in 2010, the duo quickly commanded international attention when their breakout track "Release" caught the ear of Swedish House Mafia's Steve Angello, who signed them to Size Records. Renowned for their emotionally charged melodies and high-energy mainstage anthems, Third Party has released two widely acclaimed studio albums, Hope (2017) and Together (2019). They are best known for timeless progressive house classics, including "Everyday Of My Life", "Lions in the Wild" (their massive collaboration with Martin Garrix), and the hit "Carry You". HALŌ Supergroup Membership Further elevating their status in the electronic music community, Third Party joined forces with fellow progressive house heavyweights DubVision and Matisse & Sadko to form the electronic supergroup HALŌ. The Vision: Billed as a unified creative alliance rather than a simple side project, HALŌ blends Third Party's signature melodic energy with DubVision's emotional power and Matisse & Sadko's sonic elegance to drive the progressive house genre forward. Live & Music: Operating under the label Armada Music, the collective made their grand live debut at the Amsterdam Dance Event and launched their debut single, "Live Again". They continue to perform exclusive, high-production live showcases at major global arenas and festivals, including the Ziggo Dome in Amsterdam and NEON Halloween.32:T135a,

There are artists who make albums, and then there are architects who build worlds. Skrillex has always been the latter. With SOMA, his fifth studio LP, released via OWSLA/Atlantic, he doesn't just drop a project. He opens a portal.

As someone who spends most of my life behind a DAW, the first thing I clock when a new record lands is intention and SOMA is dripping with it from bar one. The album opens with its title track, a collaboration with Nitepunk that pulls you in like a trapdoor opening beneath a ballroom. From a production standpoint, it's masterclass stuff: the tension building is surgical, the drop hits with the kind of low end that you feel in your sternum before you hear it in your headphones. Fans who'd been tracking this primal trap banger since Skrillex opened his 2025 Ultra headline set with it will find it's lost none of its menace in the journey from ID to official release, anthemic in its maximalism, yet nasty in the spaces between the bars.

What strikes me most about SOMA from a craft perspective is how Sonny manages contrast. In "Noche Without You," he reaches back to 1995 and samples Robert Miles' "Children," one of Eurodance's most sacred relics, weaving its melody into a synth soaked stunner featuring Colombian reggaeton star Feid. As a producer, that kind of crate digging audacity is genuinely exciting, it's the move of someone who's deeply fluent in music history but completely unafraid to remix it on his own terms.

The LP's self awareness runs deep. "Scut 2" revisits a demo he sent to fans by email in early 2025 and mutates the arrangement into a breakbeat beast with bass that convulses and clatters like a shopping cart down a flight of stairs. I have genuine admiration for that. Revisiting your own sketches and making them better, not just louder, is harder than it looks.

The collaboration roster is stacked: Chris Lake, Feid, ISOxo, Naisha, Beam, Randomer, Blawan, MC Dricka, and Nitepunk all appear across the 13 track runtime. Crucially, none of these feel like features for their own sake. Every collaborator is placed with care, the Latin flavor of Feid against the rave architecture; the industrial grit of Randomer and Blawan sitting perfectly against Skrillex's breakbeat instincts. That's the sign of a producer who curates, not just collects.

"La Noche 2" revisits the Chris Lake house hit and takes it somewhere new, a bold creative gamble that pays off entirely. You don't need courage to make a sequel when you actually know what you're doing.

Is SOMA perfect? Not quite. The album's middle section occasionally rushes through ideas that deserve more room to breathe. A few transitions feel more assembled than sculpted. But these are small grievances against a record that is, on balance, one of the most interesting bodies of work in electronic music this year.

Skrillex is proudly weird and utterly indifferent to the mainstream's approval on SOMA, a kaleidoscopic funhouse mirror reflecting his unpredictable brilliance. From behind the boards, that kind of fearlessness is the most inspiring thing an artist can put out.

SOMA is out now. Play it loud. Play it front to back.

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33:T255b,

There is a specific kind of pressure that comes with a debut album when you have spent a decade building your name without one. Every release, every DJ set, every headline slot at Fabric or Awakenings has quietly made the case for who you are, and now, with a single body of work, all of that context either crystallises or complicates. For Amelie Lens, whose music tends to land with more emotional insistence than the genre's more austere corners usually allow, the announcement of AURA feels less like a surprise and more like an inevitability. The Belgian producer's first full length record drops September 4, 2026 via her own EXHALE imprint, and the day after, she plays what may be the most significant show of her career: an open air performance in the grounds of Antwerp's Royal Museum of Fine Arts, the KMSKA. The timing is deliberate. The statement is clear.

AURA is eleven tracks long and built, from what we know so far, around the tension between momentum and interiority that has defined Lens at her best. The driving, kinetic techno that made her sets essential listening at festivals and warehouse events across Europe is still very much present but the record reaches inward in ways that her releases to date have rarely allowed. A debut album is by nature a different document than a string of singles or EPs. It asks for commitment, from both the artist and the listener.

The lead single, "our frequency", has been out long enough to give a reasonable sense of where the record is headed. There is a particular quality to it that suggests Lens is operating with more room than a club focused format typically permits. It is not a departure from her aesthetic so much as a deepening of it.

Releasing through EXHALE, the label she founded and has used to develop her own artistic ecosystem, matters here. Working outside the pressure of a major dance imprint gives AURA a specific kind of autonomy. The decisions, sonic, visual, contextual are hers. That independence is legible in the way the project has been framed: not as a commercial pivot or a bid for crossover appeal, but as a document of where she actually is, right now, as an artist. The album, in her own framing, reflects the distance she has covered from early nights in underground Antwerp clubs to the kind of global touring schedule that most producers in this space would take a decade longer to build.

AURA is not simply a record. It is also, in Lens' thinking, a live concept, a framework for how the music is meant to be experienced in a shared physical space. This is not a new instinct for her. She has long been attentive to the energetic relationship between herself and a crowd, and her sets carry that awareness. But the AURA live concept represents a more considered attempt to articulate and design around that exchange.

The idea, as it has been described, centres on what passes between an artist and an audience when both are fully present, the kind of feedback loop that good techno, at its best, can generate in a large room or a field. It is less about spectacle for its own sake and more about using scale, sound design, and environment to intensify something that already exists when the music is working. This is an important distinction in a moment when the festival industry's appetite for production value can sometimes overwhelm the music it is supposed to serve.

Whether the live AURA concept fully realises this ambition will depend, to a significant degree, on what happens in Antwerp in September.

The Ambersa show at the KMSKA is, by any reasonable measure, a serious undertaking. The museum, one of Belgium's most significant cultural institutions, a building with weight and history, provides the backdrop for what is being staged as a large scale outdoor event, with a capacity in the region of 14,000. The venue's transformation into a functioning dancefloor for a single night places the event at a precise intersection: fine art architecture, contemporary electronic music, and the particular civic energy that Antwerp has been generating around its cultural programming for some years now.

The scheduling is pointed. The album lands on September 4. The show follows the next evening. It is the kind of sequencing that ensures the live performance becomes both a launch and an interpretation, an opportunity for the music, just one day old in the public's hands, to be heard in a context that the artist has specifically designed. The crowd arriving at the KMSKA on September 5 will, if everything works as intended, come with the record already in their ears and leave with it physically in their bodies.

For Belgian electronic music specifically, there is something worth noting here. The country has long had a credible claim to being central to techno's development and ongoing vitality, from the old Fuse club nights in Brussels to the current ecosystem that sustains artists like Len Faki's peers and a younger generation of producers. Lens is from Antwerp, and staging this event at home, at this scale, at a nationally significant cultural site, is a choice that carries meaning beyond personal preference. It is a claim, modestly made, that this music belongs in these spaces.

There is a version of the story of Amelie Lens that is simply a career trajectory, clubs, then festivals, then bigger festivals, now an album. But that framing undersells what AURA and the Antwerp show together suggest, which is a deliberate act of definition. Not reinvention but a decision to put it in a form that lasts longer than a set list.

Techno, as a form, has always been ambivalent about the album format. The music was built for clubs, for continuous mixing, for experience rather than object. That ambivalence has softened in recent years as the genre has expanded and its artists have found broader audiences with different listening habits. Lens' decision to make AURA is, in part, a response to that expanded context. It is also something more personal: a record that accounts for where she has been and what making this music has meant.

September will tell us whether the execution matches the intention. But the intention, at least, is substantial.

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34:T493,Amelie Lens has taken the techno scene to another level, with her unrelenting passion for the genre, with a strong message that she always was, and always will be a raver at heart. Amelie‘s debut release in 2016 marked the beginning of her distinguished career. Since then, she has released music on many of the industry‘s leading labels and contributed to the prestigious Global Underground City mix series. Amelie is a regular headliner at major festivals such as Awakenings, Sonar, Timewarp, and Tomorrowland’s mainstage. Additionally, she performs at renowned club venues across the globe. Fast forward to 2024 and Amelie is heading her labels Lenske and EXHALE Records, running her party series EXHALE, holds down an extensive touring schedule and hosts her own radio show ‘Amelie Lens presents EXHALE’. The show now streams online and broadcasts on 34 radio stations across the globe, reaching nearly 5 million listeners with every episode. Amelie has been focused on her signature sound, emphasised by the use of her own vocals. She wants to capture audiences that may not always be there for techno but feel connected after discovering something new.35:Tf0e,

Swedish House Mafia Drop Four Explosive New Edits Ahead of Spotify Mix 3.0

Fresh off announcing their biggest show to date a sold out night at Gothenburg’s Ullevi Stadium (75,000+ capacity) that sold out in minutes and forced a second date Swedish House Mafia have delivered yet another gift to their fans: four long awaited edits, now officially released across streaming platforms as part of their new Spotify Mix 3.0.

The first two tracks are already familiar to the global dance community. Their intro edit of “Antidote”, which debuted at Tomorrowland 2023, brings the explosive energy reminiscent of SHM’s pre hiatus era massive drops, razor-sharp synths, and pure festival chaos. Alongside it is a reimagined version of “Miami 2 Ibiza”, a Paradise Again tour staple that fans have been chasing for more than three years. Hearing the “Antidote” edit live this summer was a reminder of the Mafia’s signature sound: big, bold, and uncompromising, echoing the intensity of Salvatore Ganacci’s unreleased remix that became a cult favorite on the circuit.

Out of nowhere, the trio then unveiled two more long-anticipated weapons: a euphoric rework of “Heaven Takes You Home” and their gritty Brooklyn edit of “Can U Feel It.” Both tracks originated from their Paradise Again album but have since evolved into peak-set moments during their recent shows.

The new version of “Heaven Takes You Home” has quickly become a showstopper, often closing their sets with soaring melodies and emotional resonance. Progressive in spirit, it’s a reminder that even as SHM experiment with new sonic directions, they can still deliver the kind of high-octane, melodic anthems that defined their legacy. Fans who speculated for months about its identity now finally have their answer and the studio quality release doesn’t disappoint, carrying the same cathartic power as when it echoes across a festival mainstage.

With these four edits now available worldwide, Swedish House Mafia continue to cement their reputation as both pioneers and provocateurs of the electronic music scene. Their ability to balance nostalgia with forward-thinking production proves why, more than a decade after first conquering the global stage, they remain one of dance music’s most influential forces. Have a listen to these 4 brand new edits below! Make sure to follow us on our social for more music!

36:T569,

Fred again.. Teases 'USB002': “10 Weeks, 10 Songs, 10 Cities”

“This is us for the next 77 days,” writes Fred again.., as he officially teases his next ambitious project, USB002. The concept: ten shows, in ten different cities, paired with ten brand-new tracks each revealed in real time as the journey unfolds.

Venues will remain a mystery until just days before each performance, adding to the raw, spontaneous energy Fred has become known for. The first stop has now been confirmed: Glasgow, Scotland the only UK date on the entire run.

Alongside the tour, Fred will also be rolling out new music. The first single, “you’re a star” featuring Amyl & The Sniffers, is set to kick things off. True to Fred’s style, tickets for each show are expected to drop only hours before doors open, ensuring an exclusive, almost guerrilla like experience for fans.

With 'USB002', Fred again.. is once more rewriting the rules of how electronic music is released, performed, and experienced blurring the line between studio creation and live connection. You can have a look below from his recent green room set in Rome which he played a lot of his unreleased material that would probably be on the album. Make sure to follow us on our social for more music!

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The energy, the emotions, the freedom it represents, and the way it unites people it captured me completely. I always believed others could feel the same, and that’s where my mission began.","type":"text"}]},{"type":"paragraph","children":[{"text":"I studied Mathematics at the University of Patras, but along the way I realized it wasn’t the path I wanted for my life.","type":"text"}]},{"type":"paragraph","children":[{"text":"At 23, started a small website to share news, events, artists, and music from the electronic scene in Greece, a scene that at the time lacked recognition. Nobody believed in the idea, but I did it anyway. For years it remained an on and off side project while I was working in the blockchain industry, until September 2023, when I teamed up with a group of passionate people to finally bring it to life the right way. 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Each of the group members is an accomplished DJ/producer and label owner in his own right. The Swedish group initially teamed up in the mid-2000s, when they toured together as DJs and collaborated from time to time on one another's productions. Eric Prydz was also a member of the group for a while. Axwell, Angello, and Ingrosso's breakout performance as Swedish House Mafia came on August 12","specialArtist":false,"externalId":null,"spotifyId":null,"instagramUrl":null,"spotifyUrl":null,"websiteUrl":null,"eventViews":1,"eventFollowCount":0,"profileViews":1,"followerCount":1,"popularityScore":12}]},{"id":299,"Date":"2025-09-29","documentId":"cdr150cwqkjzgf7ro9x5tidz","Title":"Fred again.. announces 'USB002' album and tour in 10 cities","createdAt":"2025-09-30T12:45:23.430Z","updatedAt":"2025-11-11T17:25:54.619Z","publishedAt":"2025-11-11T17:25:54.818Z","locale":"en","description":[{"type":"heading","level":3,"children":[{"bold":true,"text":"Fred again.. Teases 'USB002': \n“10 Weeks, 10 Songs, 10 Cities”","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"“This is us for the next 77 days,” writes Fred again.., as he officially teases his next ambitious project, USB002. The concept: ten shows, in ten different cities, paired with ten brand-new tracks each revealed in real time as the journey unfolds.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Venues will remain a mystery until just days before each performance, adding to the raw, spontaneous energy Fred has become known for. The first stop has now been confirmed: Glasgow, Scotland the only UK date on the entire run.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Alongside the tour, Fred will also be rolling out new music. The first single, “you’re a star” featuring Amyl & The Sniffers, is set to kick things off. True to Fred’s style, tickets for each show are expected to drop only hours before doors open, ensuring an exclusive, almost guerrilla like experience for fans.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"With 'USB002', Fred again.. is once more rewriting the rules of how electronic music is released, performed, and experienced blurring the line between studio creation and live connection.\n\nYou can have a look below from his recent green room set in Rome which he played a lot of his unreleased material that would probably be on the album. Make sure to follow us on our social for more music! 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