21:I[451931,["/_next/static/immutable/chunks/0x-9rc1bm-510.js","/_next/static/immutable/chunks/3c3f-22xoml17.js","/_next/static/immutable/chunks/2aysqd7pxmaii.js","/_next/static/immutable/chunks/1j9utsav0l80_.js","/_next/static/immutable/chunks/3p36ch-aq9oz_.js","/_next/static/immutable/chunks/1b31y0tag41wn.js","/_next/static/immutable/chunks/10twbbsv8xpvy.js","/_next/static/immutable/chunks/2yh-rx77963rh.js","/_next/static/immutable/chunks/3mk-ia1qyd5mm.js","/_next/static/immutable/chunks/35fhpglf18mmk.js","/_next/static/immutable/chunks/28m_qkqf1zp50.js","/_next/static/immutable/chunks/3mh4qchssoisj.js","/_next/static/immutable/chunks/26s8ya5u9xp77.js"],"default"] 22:I[951898,["/_next/static/immutable/chunks/0x-9rc1bm-510.js","/_next/static/immutable/chunks/3c3f-22xoml17.js","/_next/static/immutable/chunks/2aysqd7pxmaii.js","/_next/static/immutable/chunks/1j9utsav0l80_.js","/_next/static/immutable/chunks/3p36ch-aq9oz_.js","/_next/static/immutable/chunks/1b31y0tag41wn.js","/_next/static/immutable/chunks/10twbbsv8xpvy.js","/_next/static/immutable/chunks/2yh-rx77963rh.js","/_next/static/immutable/chunks/3mk-ia1qyd5mm.js","/_next/static/immutable/chunks/35fhpglf18mmk.js","/_next/static/immutable/chunks/28m_qkqf1zp50.js","/_next/static/immutable/chunks/3mh4qchssoisj.js","/_next/static/immutable/chunks/26s8ya5u9xp77.js"],"default"] 23:T20b7,

The mysterious “Feel So Close” billboards weren't just a throwback. Calvin Harris is heading on his first North American headline tour, with 18 arena shows confirmed across the US and Canada in 2027.

Calvin Harris has officially announced his first North American headline tour, with 18 arena shows scheduled across the United States and Canada in spring 2027. The tour kicks off on April 1 at TD Garden in Boston and concludes on May 27 at the Kia Forum in Los Angeles.

Despite years of major festival appearances and club residencies across North America, this marks the Scottish superstar DJ and producer's first full headlining tour of the continent. And after weeks of speculation, the announcement finally explains the mysterious billboards that have been appearing across several cities.

Remember Those Calvin Harris Billboards? Now We Know Why.

Over the past week, billboards featuring a familiar message began appearing in cities including New York, Chicago, Houston, Seattle, San Diego, Toronto and Vancouver. Each carried a city-specific variation of the lyrics from Harris's 2011 hit “Feel So Close”, accompanied by a link to his official website.

There were no tour dates or official announcements, just a recognizable lyric and a website directing fans to sign up for updates. Naturally, speculation about a potential North American tour followed.

Now we know what it was all about.

The choice of “Feel So Close” was particularly fitting. Released fifteen years ago, the track remains one of Harris's most recognizable records and a defining anthem of the early 2010s electronic dance music era. For the generation that grew up with it, the campaign brought back some familiar memories before revealing what was coming next.

From Head Trip to a Full North American Tour

The announcement also arrives just days after Calvin Harris's performance at Head Trip Festival in Indio, California. Originally scheduled for Saturday, October 10, his appearance was moved to Sunday following severe weather that interrupted the festival's opening night.

His set included some of his biggest hits, from “Feel So Close” and “Sweet Nothing” to “We Found Love” and “How Deep Is Your Love”. He closed with Avicii's iconic “Levels”, a moment that brought the sound of the early 2010s firmly back into focus.

For many millennials, these are the tracks that soundtracked their introduction to electronic dance music. And while nostalgia is certainly part of the excitement surrounding the announcement, Harris has continued to build on that legacy. His more recent releases include “Blessings” with Clementine Douglas, “Ocean” with Jessie Reyez, “Release the Pressure” with Kasabian and “Satisfy” with Jazzy.

Following sold-out headline shows in the UK and Ireland and strong demand for his upcoming Australian tour, the 2027 North American run marks another major step in his live career.

Calvin Harris 2027 North American Tour Dates & Tickets

The 18-date tour will visit major arenas across the United States and Canada, including stops in Brooklyn, Toronto, Montreal, Chicago, Seattle and Vancouver.

Tickets will first become available through Reserved by Spotify on October 19 at 10 AM local time, with access for eligible US Spotify Premium subscribers.

The artist presale begins October 20 at 12 PM local time, while general ticket sales open October 22 at 12 PM local time.

Fans can register for artist presale access and find further ticket information through the official Calvin Harris website.

Stay connected with dancetoday - follow us on social media for the latest stories, insights, and news shaping the electronic dance music world.

24:T3136,

Τα μυστηριώδη billboards με αναφορές στο “Feel So Close” δεν ήταν απλώς μια νοσταλγική αναδρομή. Ο Calvin Harris ανακοίνωσε την πρώτη του περιοδεία ως headliner στη Βόρεια Αμερική, με 18 εμφανίσεις σε μεγάλες αρένες των ΗΠΑ και του Καναδά το 2027.

Ο Calvin Harris ανακοίνωσε επίσημα την πρώτη του headline περιοδεία στη Βόρεια Αμερική, η οποία περιλαμβάνει 18 εμφανίσεις σε μεγάλες αρένες των Ηνωμένων Πολιτειών και του Καναδά την άνοιξη του 2027. Η περιοδεία ξεκινά την 1η Απριλίου από το TD Garden στη Βοστώνη και ολοκληρώνεται στις 27 Μαΐου στο Kia Forum του Λος Άντζελες.

Παρά τις πολυάριθμες εμφανίσεις του σε μεγάλα φεστιβάλ και τα χρόνια παρουσίας του σε clubs της Βόρειας Αμερικής, αυτή θα είναι η πρώτη ολοκληρωμένη περιοδεία του Σκωτσέζου superstar DJ και παραγωγού ως headliner στην ήπειρο. Και έπειτα από εβδομάδες εικασιών, η ανακοίνωση δίνει επιτέλους απάντηση στο μυστήριο πίσω από τις διαφημιστικές πινακίδες που είχαν αρχίσει να εμφανίζονται σε διάφορες πόλεις.

Θυμάστε τα μυστηριώδη billboards του Calvin Harris; Τώρα ξέρουμε τον λόγο.

Την τελευταία εβδομάδα, διαφημιστικές πινακίδες με ένα γνώριμο μήνυμα άρχισαν να εμφανίζονται σε πόλεις όπως η Νέα Υόρκη, το Σικάγο, το Χιούστον, το Σιάτλ, το Σαν Ντιέγκο, το Τορόντο και το Βανκούβερ. Κάθε πινακίδα περιλάμβανε μια διαφορετική εκδοχή των στίχων της επιτυχίας “Feel So Close” του 2011, προσαρμοσμένη στην εκάστοτε πόλη, μαζί με έναν σύνδεσμο προς την επίσημη ιστοσελίδα του.

Χωρίς ημερομηνίες περιοδείας ή κάποια επίσημη ανακοίνωση, το μόνο που υπήρχε ήταν ένας αναγνωρίσιμος στίχος και μια ιστοσελίδα που καλούσε τους fans να εγγραφούν για μελλοντικές ενημερώσεις. Όπως ήταν αναμενόμενο, δεν άργησαν να ξεκινήσουν οι εικασίες για μια πιθανή περιοδεία στη Βόρεια Αμερική.

Πλέον, το μυστήριο λύθηκε.

Η επιλογή του “Feel So Close” μόνο τυχαία δεν ήταν. Δεκαπέντε χρόνια μετά την κυκλοφορία του, το κομμάτι παραμένει μία από τις πιο αναγνωρίσιμες επιτυχίες του Harris και ένας από τους ύμνους που σημάδεψαν την ηλεκτρονική dance μουσική των αρχών της δεκαετίας του 2010. Για τη γενιά που μεγάλωσε με αυτό, η καμπάνια ξύπνησε γνώριμες αναμνήσεις, πριν αποκαλύψει τι πραγματικά ερχόταν.

Από το Head Trip Festival σε μια ολοκληρωμένη περιοδεία στη Βόρεια Αμερική

Η ανακοίνωση έρχεται μόλις λίγες ημέρες μετά την εμφάνιση του Calvin Harris στο Head Trip Festival, στο Ίντιο της Καλιφόρνια. Αρχικά προγραμματισμένη για το Σάββατο 10 Οκτωβρίου, η εμφάνισή του μεταφέρθηκε την Κυριακή, εξαιτίας των έντονων καιρικών φαινομένων που επηρέασαν την πρώτη βραδιά του φεστιβάλ.

Το set του περιλάμβανε μερικές από τις μεγαλύτερες επιτυχίες του, από τα “Feel So Close” και “Sweet Nothing” μέχρι τα “We Found Love” και “How Deep Is Your Love”, ενώ για το κλείσιμο επέλεξε το εμβληματικό “Levels” του Avicii, σε μια στιγμή που έφερε ξανά στο προσκήνιο τον ήχο των αρχών της δεκαετίας του 2010.

Για πολλούς millennials, αυτά ήταν τα κομμάτια που συνόδευσαν τα πρώτα τους βήματα στον κόσμο της ηλεκτρονικής μουσικής. Και παρότι η νοσταλγία αποτελεί αναμφίβολα μέρος του ενθουσιασμού γύρω από την ανακοίνωση, ο Harris δεν έχει σταματήσει να εξελίσσει τη μουσική του πορεία. Στις πιο πρόσφατες κυκλοφορίες του περιλαμβάνονται τα “Blessings” με την Clementine Douglas, “Ocean” με την Jessie Reyez, “Release the Pressure” με τους Kasabian και “Satisfy” με την Jazzy.

Έχοντας ήδη πραγματοποιήσει sold-out headline εμφανίσεις στο Ηνωμένο Βασίλειο και την Ιρλανδία, αλλά και με το ενδιαφέρον για την επερχόμενη περιοδεία του στην Αυστραλία να παραμένει υψηλό, η περιοδεία του 2027 στη Βόρεια Αμερική αποτελεί ακόμη ένα σημαντικό βήμα στην καριέρα του.

Calvin Harris 2027: Ημερομηνίες περιοδείας και εισιτήρια

Η περιοδεία περιλαμβάνει 18 εμφανίσεις σε μεγάλες αρένες των Ηνωμένων Πολιτειών και του Καναδά, με σταθμούς σε πόλεις όπως το Μπρούκλιν, το Τορόντο, το Μόντρεαλ, το Σικάγο, το Σιάτλ και το Βανκούβερ.

Η διάθεση των εισιτηρίων ξεκινά στις 19 Οκτωβρίου, στις 10:00 π.μ. τοπική ώρα, μέσω του προγράμματος Reserved by Spotify, με πρόσβαση για τους δικαιούχους συνδρομητές Spotify Premium στις ΗΠΑ.

Η προπώληση για τους fans του καλλιτέχνη (artist presale) ξεκινά στις 20 Οκτωβρίου, στις 12:00 μ.μ. τοπική ώρα, ενώ η γενική διάθεση εισιτηρίων αρχίζει στις 22 Οκτωβρίου, επίσης στις 12:00 μ.μ. τοπική ώρα.

Οι ενδιαφερόμενοι μπορούν να εγγραφούν για πρόσβαση στην προπώληση και να βρουν περισσότερες πληροφορίες σχετικά με τα εισιτήρια στην επίσημη ιστοσελίδα του Calvin Harris.

Μείνετε συνδεδεμένοι με το dancetoday - ακολουθήστε μας στα social media για τις σημαντικότερες ιστορίες, insights και νέα που διαμορφώνουν τον κόσμο της ηλεκτρονικής dance μουσικής.

25:T35c4,

From Fred again.. to KI/KI’s “5 HOURS”, these are thirteen more picks from the dancetoday crew and community - and the nights we would love to live in Greece.

Some names make you check the date before you check anything else. Others become even more tempting when you see who is joining them behind the decks, or what kind of set they are playing. Following Part 1, our crew and community’s wishlist continues with thirteen selections. The order is not a ranking, and previous Greek appearances do not rule anyone out. We are thinking about the artists, partnerships and formats that would give us a reason to make plans around the music.

FRED AGAIN.. - From Athens Pop-Ups to a Bigger Dream

Fred again.. has a special place in the hearts of the dancetoday crew and community. “Delilah (pull me out of this)” is part of why: songs that feel personal, even when thousands share them. Greece has already experienced that closeness through his intimate September 2024 show at Lake Vouliagmeni, previewing his album ten days, and his Latraac pop-up parties in Athens in May 2025. So, those small settings make us want a full live show here even more.

For an artist who sold out the Los Angeles Memorial Coliseum, a Greek concert on that scale once felt like a distant wish to us. Now, imagine Fred at Kallimarmaro. The iconic setting and room for his full production could make this a date Greek fans plan their year around, with fans travelling from abroad, too. We would love to see Athens become the destination for one of those Fred nights people wish they had been part of.

SKRILLEX - Nine Grammys, and Still Making Us Curious

Skrillex has nine Grammy wins, including “Rumble” with Fred again.. and Flowdan in 2024. But we hear his genius in the records: from “Bangarang” and his “Cinema” remix to the very different sound of “Rumble”, he keeps making unfamiliar ideas feel instantly recognisable. His 2026 collaboration with Chase & Status, “Essa Tá Quente”, keeps that curiosity alive.

A late Greek festival headline set would be our choice. His name has weight across generations, with earlier fans bringing memories and newer listeners arriving through recent collaborations. We would want the full range of his selections. With Skrillex, the reputation draws you in, but the curiosity about what he will do next makes you want to stay.

CHASE & STATUS - Drum & Bass With the Pull of a Headliner

Chase & Status won the 2024 BRIT Producer of the Year award, with records that explain their reach. “Baddadan”, made with Bou, and the UK Number One “BACKBONE” with Stormzy have taken their music beyond the regular drum & bass audience. A sold-out UK arena tour and their Milton Keynes National Bowl event show the scale they can command.

For Greece, we would want a festival headline DJ set, with the sound system and space that their bass-heavy music deserves. Their name could bring dedicated bass listeners together, while those hits give newcomers a reason to join them. The attraction is drum & bass presented as the main event, by an act with the stature to carry it.

STEVE ANGELLO B2B SEBASTIAN INGROSSO - A Shared History Worth Gathering For

We are huge Swedish House Mafia fans at dancetoday, so Steve Angello and Sebastian Ingrosso have a special place in our hearts, too. Their connection goes back further than the group: childhood friends who were sharing records before Daft Punk helped send them into the studio together as teenagers. From Buy Now to their Tomorrowland B2B sets, that friendship has become a musical partnership worth seeing together.

For Greece, we would love a festival mainstage set that brings that history into the present. The attachment to the iconic “Don’t You Worry Child”, "Reload", "Greyhound" and their wider catalogues gives people a reason to gather, while their club selections offer another side of the pair. Two friends who helped shape our love of this music, sharing the decks here... that is a night we would really want to be part of.

JOHN SUMMIT - House Music on an Arena Scale

John Summit’s upcoming CTRL ESCAPE tour includes major North American arenas and a December booking at the Los Angeles Memorial Coliseum. That is a substantial step for an artist whose appeal starts with “Where You Are” with HAYLA. Alongside Experts Only, he now has both familiar records and a party identity people can follow.

We would picture a Greek festival headline set, bringing together listeners arriving through the songs and those following his club selections. A melodic vocal can invite people in, then the rest of the set gives them more to discover. We would love to catch him while that audience is growing.

MAX STYLER B2B LAYTON GIORDANI - Two Names On Their Way Up

Max Styler and Layton Giordani are building identities people can follow beyond individual releases. Max Styler’s 2026 I Don’t Think I Can Stop EP puts more music behind the attention, on his own Nu Moda label. Layton Giordani has MADMINDS and “When It Kicks” with Green Velvet, a record supported by names including John Summit and Solomun.

We would love an extended indoor B2B in Greece. Styler’s house hooks and Giordani’s heavier house-and-techno range could bring their listeners into the same room. Two names on the rise, sharing the decks—that is a night we would want to catch here.

MEDUZA B2B JAMES HYPE - Two Hitmakers, One OUR HOUSE Night

“Piece Of Your Heart” and “Ferrari” give MEDUZA and James Hype immediate recognition. OUR HOUSE gives them something to follow together: a shared party now in its fourth Ibiza year. Their recorded Amsterdam B2B also shows this partnership in the format we would want here.

An outdoor house stage in Greece feels like a strong fit. MEDUZA’s melodic appeal and Hype’s fast, hands-on mixing offer different attractions within the same set. Familiar records could bring people in, while the pairing gives the headline slot its own character. We would love a Greek OUR HOUSE-style night with this B2B at its centre.

MARCO CAROLA B2B FRANKY RIZARDO - Music On Weight Meets FLOW Momentum

Marco Carola brings a name people already associate with a whole night of partying. Music On gives that following somewhere to gather, while Franky Rizardo’s first FLOW residency at Pacha in 2026 shows his own party identity growing. Its August closing was listed as sold out, with records such as “Shinjuku” giving fans another reason to follow him.

For Greece, an extended outdoor house set would be our choice. Carola’s established pull meets an artist whose own parties are gaining ground. We would want a night built around the pair, with the groove and time to make the partnership the main attraction.

FISHER B2B CHRIS LAKE - A Party People Already Recognise

FISHER’s OUT 2 LUNCH welcomed more than 40,000 people in Australia in 2025, while Chris Lake released his debut album Chemistry that year. Together, their Under Construction project has a party identity of its own, documented in their three-hour-plus Hollywood Boulevard set. “Losing It” and “Turn Off The Lights” give each artist a recognisable connection.

For Greece, we would want a big outdoor house event centred on a long B2B. FISHER brings a larger-than-life party presence; Lake brings a catalogue club listeners have followed for years. Their shared concept gives followers of both something to gather around. We would love the full Under Construction experience here.

CASSIAN B2B KEVIN DE VRIES - A Pairing With Real Mainstage Weight

Cassian brings Grammy-winning mix work on RÜFÜS DU SOL’s “Alive”, while his pairing with Kevin de Vries already has a Tomorrowland mainstage set and a UNVRS set behind it. Their 2025 performance and shared “Payback” remix (of the Steve Angello and Dimitri Vangelis & Wyman original) give us a clear reason to want both names together.

We would picture a Greek festival headline slot after dark. That “Payback” connection could bring listeners with progressive-house memories alongside fans following their melodic techno direction today. Their shared music makes this a pairing worth seeing together.

HARDWELL - Spaceman Memories With a Harder Sound

Hardwell’s two DJ Mag Number One titles give his name real festival weight. And the attachment to his music is still visible: “Spaceman” placed eighth in the community-voted Tomorrowland Top 1000 in 2026. His harder REBELS NEVER DIE direction and “Bang On The Drums” with Bassjackers give that history a current musical context.

For Greece, we would want a festival mainstage headline set with production that suits his sound. The attraction is hearing a name associated with years of festival memories bring his harder music to that same scale. We would love a night where those older connections and his current direction make sense together.

MARLON HOFFSTADT - Daddy Trance Is Reaching Bigger Stages

Marlon Hoffstadt’s 2026 includes a Coachella Sahara debut and an Ultra B2B with Armin van Buuren. DJ Daddy Trance is reaching bigger stages, with “It’s That Time” giving fans something familiar to gather around. His August album Das Ist Daddy adds more music behind the growing attention.

We would love a late indoor rave in Greece built around his name. The fast rhythms, direct hooks and playful trance references give it a clear character, with the Armin pairing also giving older trance fans a reason to pay attention. Hoffstadt feels like an artist worth catching while the following and the opportunities are growing together.

KI/KI “5 HOURS” - A Whole Night Worth Commiting To

KI/KI’s rise now includes two upcoming Ziggo Dome “5 HOURS” shows on October 22 and 23, both listed as sold out. The show builds on the production concept she brought to a sold-out London Roundhouse. That is a following prepared to make her the reason for the whole evening.

She has already played Athens, so our wish is about experiencing this particular format here. A dedicated indoor night would be our choice. Also, “5 Mins Of Acid” gives the request a familiar musical connection. Her mix of acid, trance and techno gives the five-hour idea a clear musical identity, so, we would love to see Greek fans gather around that full experience.

Your Turn

These thirteen selections complete our crew and community’s two-part wishlist. Some carry years of memories, others have momentum we would love to catch, and several become especially appealing through a particular partnership or format.

Which would you most want to experience in Greece, and what kind of set would make you plan your night around it?

Stay connected with dancetoday - follow us on social media for the latest stories, insights and news shaping the electronic dance music world.

26:T55f,Cassian is a Grammy Award winning Australian DJ and producer based in Los Angeles, who has become one of the most sought-after names in the Melodic House and Techno scene. With over 100 million streams worldwide and 1.2 million monthly listeners, Cassian has proven to be a true master of his craft. He has released music on several culture leading labels such as Rose Avenue Records, Afterlife Records, and Odd One Out Records, earning him top chart positions on Beatport’s Melodic House and Techno Chart and Indie Dance Chart. The impact of his music has helped him land massive performances at some of the world's most prestigious music festivals, like Coachella and Lollapalooza, as well as countless top Nightclubs around the world, like Hi Ibiza and Printworks London. Beyond his own releases, Cassian's impressive resume includes mixing critically acclaimed albums for Australian trio RÜFÜS DU SOL, which earned him multiple ARIA awards, APRA awards, and a Grammy. He has also played an integral role in projects from Anyma, Hayden James, What So Not, Crooked Colours, Broods, Set Mo, Running Touch, and many more celebrated names, with his prolific work behind the scenes, landing him multiple gold & platinum certifications. With his unique sound and undeniable talent, Cassian is quickly becoming one of the most exciting and innovative artists in the industry.27:T4c4,Since his first release in 2015, Kevin De Vries has been on an astronomical ascent, carving out a niche for show-stopping, hybrid techno.   When a Kevin De Vries track shakes the room, time seems to pause, hang in the air and come crashing back down with unmistakable drama. His music pushes soundsystems to their limit, at once drawing on the power of techno and the euphoria of trance in a way unique to De Vries.   His releases and remixes have found homes on some of the most revered labels around: Sven Väth’s Cocoon, Adam Beyer’s Drumcode and most recently Tale Of Us’ label Afterlife. De Vries has become a firm favourite of the Afterlife faithful and a vital recording artist, with many event appearances and contributions to the label.   Kevin’s DJ sets translate the singular energy of his own music into extended journeys from cutting-edge sounds to 90s classics and back again. He has quickly become an in-demand DJ worldwide, consistently delivering stand-out performances for huge festivals and intimate clubs alike, as well as pushing his boundaries with back-to-back sets.   As this young artist continues to develop, collaborate and innovate, no creative stones will be left unturned. 28:T5d8,MEDUZA, Grammy-nominated Italian electronic music trio, have led the charge in returning house music to daytime radio globally with unprecedented success. Since their 2019 debut 'Piece of Your Heart', they've become the biggest streaming Italian artist in music history on Spotify and Apple Music, amassing nearly 20 billion cumulative streams, multiple top 10 chart hits across Europe, Number 1 Dance hits in the US, and multi-platinum certifications worldwide. Their signature sounds captivate audiences from nightclubs to mainstages, commanding insatiable demand across major festivals and residencies at Tomorrowland, EDC, Coachella, Las Vegas, and Ibiza. In summer 2024, MEDUZA unveiled the UEFA EURO 2024 Official Song 'FIRE' alongside OneRepublic and Leony. That season, they won Best Selling Remix of The Year at the Beatport Awards. In 2025, MEDUZA solidified their status as electronic music titans, blending infectious house grooves with innovative live elements. Their pinnacle was elevating 'Our House' with James Hype to Hï Ibiza's Theatre, running Mondays June through September. Beyond Ibiza, MEDUZA dominated festivals worldwide, headlining EDC Las Vegas, Tomorrowland, and Kappa FuturFestival, while dropping the tech house anthem "No Sleep" in October via Experts Only. Their collaboration "Another World" with HAYLA clinched Dance Song of the Year at the 2025 Electronic Dance Music Awards, underscoring a banner year of over 2 billion new streams and relentless innovation.29:T15c8,

There are nights that start with simply going out for music and end up meaning something much more. A festival, a club, a big open air event. Thousands of people who don’t know each other, suddenly standing under the same lights, listening to the same tracks and moving to the same rhythm. And somewhere in all of that, a stranger can become part of your group, a group can become a group of friends, and a random meeting can continue long after the last track has played.

It’s not just a nice idea. In psychology, the term “collective effervescence” is used to describe the intense feeling of connection that can emerge when many people take part in the same experience at the same time. A study published in the Personality and Social Psychology Bulletin, based on four studies and 789 participants, examined this connection in the context of live music events. The findings showed that this sense of collective connection was associated with greater enjoyment and a stronger sense of meaning during the event, as well as increased happiness one week later.

And maybe the most interesting part is that you don’t even need to talk to someone for that connection to begin. Research has found that moving together in sync can make people feel socially closer, even when they are complete strangers. In one experiment involving a silent disco, participants who moved to the same rhythm reported a stronger sense of connection than those who moved out of sync. Suddenly, the dancefloor starts to make a little more sense. Sometimes, the music is already doing the introduction for you.

There is also something physical behind that feeling. Studies on synchronized movement and group bonding have found that dancing together can be associated with an increased pain threshold and stronger feelings of connection between people. Researchers have suggested that the release of endorphins may play a role in this process. It doesn’t mean that every person you dance with is suddenly your best friend, of course. But it does help explain why sharing physical effort, rhythm and emotion with other people can make a night feel much more intense and much more memorable.

And maybe this explains why the people we meet on the dancefloor can sometimes feel different from the people we meet anywhere else. You don’t need to start with a conversation, shared interests or a particular reason to connect. Sometimes all it takes is a drop, a smile, a high-five or that look that says, “What the hell was that?” A shared musical experience creates a different kind of communication, where for a few hours, everyone seems to belong to the same thing.

This is also how our own community at Dancetoday has grown. Not only through music and content, but mainly through the people we have met along the way. The events, festivals and moments we have shared with our community have become one of the ways Dancetoday built its own identity and brought people together. People who may have met for the first time at an event, danced together, shared a track or simply a moment, and eventually became part of a group that keeps growing. Because a community is not built only through posts and stories. It is built where music becomes a real experience.

Maybe that’s why electronic music has its own way of creating memories. You might not always remember which track was playing at that exact moment. But you might remember who was standing next to you when the drop hit. And sometimes, the person you randomly met in a crowd of strangers becomes the person who is there with you at the next festival, the next trip, the next big night.

Because the dancefloor is not simply a place where we listen to music. It is one of the few places where, even for a few hours, thousands of different lives move to the same rhythm. And some of those lives may continue moving together long after the final beat.

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2a:T37c2,

From an extended Chris Stassy session to a dedicated Tiësto trance set, these are eleven picks from the dancetoday crew and community - and why we want them happen in Greece.

A set lands in the group chat. Someone names the artist they would travel for. Before long, the conversation turns to Greece: imagine having that night here!

So, together with our community, the dancetoday crew has put together a wishlist of artists and specific sets we would love to experience on Greek dancefloors. These eleven selections open a two-part series, with room for returns, new encounters and different sides of familiar names. Of course, the order is not a ranking, and each choice comes down to the music, the setting and what would make the experience worth showing up for.

MAU P - The Breakthrough Has Become a Headline

Mau P has reached the point where his name can be the reason for the night. Baddest Behaviour returned to Pacha Ibiza for a second season in 2026, evidence of a career growing beyond the initial impact of “Drugs From Amsterdam”. He now has both recognisable records and a party identity people can follow.

That makes him a really appealing choice for Greece. His sound gives an audience something immediate to connect with: heavy bass, cheeky vocal hooks and the reggae sample at the centre of “Merther”. We see him fitting a substantial club date or an outdoor house event where familiar tracks bring people together and the selection keeps them moving. This is a chance to catch a headliner while his world is still expanding.

CHRIS STASSY - When the Crowd Becomes the Vocal

The hype around Chris Stassy has a particularly revealing soundtrack: “Breather”, his collaboration with S.A.M. At all Stassy's appearances, the crowd sings along to its melody - despite the track having no vocals - and doesn't stop dancing. That says something about the devotion surrounding the artist formerly known as Chris Stassy. Alos, his October 2026 USS dates in Manchester are already listed as sold out.

A crowd singing instrumental melodies of an artist tells you more about a following than a follower count. That is the appeal for Greece: a following that could turn a house night into a shared occasion, built around musical details fans already care about. An extended set would be our choice, allowing the rolling basslines and patient transitions to earn that collective release.

CARL COX - The Name That Connects Generations

Carl Cox carries the kind of stature that can make a booking feel significant across generations. He keeps giving people reasons to return: his 2026 UNVRS residency spans house and techno, including all-night sessions. In a recent Pollstar interview, he explained how the room guides his next record, including when to ease from harder techno towards groove or melody.

For a Greek event, that combination matters. The reputation gives people a reason to gather; his responsiveness gives the gathering somewhere to go. We can imagine experienced ravers and younger clubbers finding common ground in a substantial DJ set. Cox’s history brings weight to the poster, but the attraction is what he can do with the dancefloor in front of him now. Oh yes, oh yes!

RÜFÜS DU SOL - The Scale of a Shared Feeling

RÜFÜS DU SOL belong here because their music gives people something to carry into a room with them: a lyric, a memory, a melody that has stayed around longer than expected. Of course, “Innerbloom” makes that shared feeling explicit. And RÜFÜS DU SOL have taken that connection to an extraordinary scale. Their Inhale/Exhale tour generated $158 million and sold 1.7 million tickets, becoming the highest-grossing electronic tour in Billboard Boxscore history!

Of course, the format matters. A full live show centres the band performing its songs, with vocals and instruments, while a DJ set opens a different conversation through the records they select. Altough we would prefer a full live show, we would welcome either in Greece, with the billing clear about the experience. Their music can make a crowded night feel strangely personal... and that emotional connection is what we would want to share, whether through the songs themselves or their club influences.

KETTAMA - A Rave Favourite Growing Bigger

Being dancetoday’s 2025 Breakthrough Artist Of The Year, KETTAMA’s rise has reached well beyond a promising run of club tracks. His Archangel album was accompanied by a sold-out Brixton Academy headline show, while 2026 brought a nine-week Amnesia residency. So, there is a clear sense of an artist whose audience is growing with the music.

“Yosemite”, with Interplanetary Criminal, captures the appeal: forceful rhythms meeting the kind of melody people attach themselves to. His blend of house, trance and rave influences gives us a strong case for a late festival slot in Greece, especially for listeners who want physical intensity with an emotional payoff. KETTAMA makes the big chord change feel as important as the kick drum. Catching him at this stage would mean meeting a growing movement while its excitement still feels immediate.

MICHAEL BIBI - A Following You Could Build a Night Around

Michael Bibi’s pull is visible in the events built around him. His 2024 One Life show at Finsbury Park drew 45.000 people, and the promoter listed his 2026 London date on the Thames as sold out. Through his own shows and Solid Grooves, he has built a following around a recognisable way of partying.

And his music explains why we would want that here. “Mobile Groove” turns a Nokia ringtone into club material, while “MYSTERY OF RAW” with KETTAMA samples Wu-Tang Clan. For Greece, an extended headline set in an indoor venue would make most sense to us, as it could let fans gather around a more club setting and a shared taste, and give newcomers an accessible way in. Bibi gives fans a party they can feel part of before they even walk in.

TIËSTO - Back to the Trance Roots

A dedicated Tiësto trance set is essential to this selection. For listeners whose relationship with electronic music grew through his early records and sets, it carries genuine nostalgia. For younger fans, it offers a chance to experience the musical identity behind so much of his reputation. And this is already happening: Dreamstate 2025, Creamfields 2026, “Bring Me To Life” featuring FORS and Tiësto In Concert being back again after over 20 years make the return to trance a current story.

Hearing this side of Tiësto in Greece feels especially appealing while he is actively exploring it again. What we would love in Greece is the space for those melodies to develope. Older listeners might arrive with years of memories, while younger ones could encounter that side of his music at full scale for the first time. The set would not need to be classics-only. Give the older records and newer material a coherent place together, and the appeal becomes a shared experience across generations.

PROSPA - The Momentum Has an Album Behind It

Prospa now have a bigger musical statement behind the buzz. Their debut album, Free Your Mind, arrived on CircoLoco Records in June 2026, bringing their rave background into a fuller collection of house grooves, organ chords and expressive vocals. It gives listeners more reasons to connect with the duo than a single standout release.

We see a good fit for Greece in that mixture of club credibility and songs people can take home. The disco guitar and vocal warmth of “This Rhythm” featuring RAHH, show how easily their music can invite people in. An open-air evening moving into darkness feels like a setting worth imagining a DJ set that could connect those familiar moments with their wider selections. Prospa offer the excitement of an act growing into a bigger stage while keeping the pleasure of the party close.

DOM DOLLA - House Music With a Bigger Reach

Dom Dolla is now taking house records into stadiums. His sold-out Allianz Stadium debut in Sydney in December 2025 has been followed by a Marvel Stadium booking for September 24, 2026. That is a substantial platform for an artist whose appeal still starts with records built to make people dance. “Dreamin” featuring Daya, helps explain the crossover: a simple, memorable melody and a vocal with an emotional story.

For a Greek festival, we see the potential to bring regular house listeners around the world together with people arriving through the songs. Dom Dolla can make the hook an invitation into the rest of the set, while even a simple melody can bring someone to the dancefloor before they know anything about the DJ. His inclusion is about that widening reach, and the prospect of a headline performance that feels welcoming without losing its club foundations.

HALŌ - The Three Musketeers of Progressive

Third Party, DubVision and Matisse & Sadko: our Three Musketeers of mainstage progressive house. As HALŌ, these three acts bring together established fan connections, a shared musical language and a new reason to pay attention. Their debut release, “Live Again”, arrived on Armada on September 18, giving the project music of its own to build around.

As we put it in our recent article, progressive never left. And now, with HALŌ, progressive is live again. For Greek fans drawn to those big melodies and moments of collective release, this could be a festival date to plan around. The attraction is hearing familiar catalogues feed into something new, with three acts committed to the same feeling. For a Greek mainstage, that mix of beloved records and new music feels worth backing.

JOSEPH CAPRIATI B2B SOSA - A Pairing With Its Own Pull

Joseph Capriati B2B SOSA has the appeal of an occasion built around a specific partnership. Capriati brings the stature of a selector whose Metamorfosi nights connect house and techno, while SOSA brings a newer generation’s minimal and deep-tech approach, represented on this year’s Just Like That EP. Their different positions in the scene make the meeting interesting.

However, there is also another recent evidence behind the idea: the pair closed the Steel Yard at Creamfields 2026, with their performance being among its weekend highlights. For Greece, this B2B could give followers of both artists a reason to gather, with curiosity about the exchange adding to the draw. Of course, we would want an extended set for the grooves to deepen and the pressure to change. The combination itself should be the reason to attend.

Your Turn

These are the first eleven selections from our crew and community, and Part 2 will bring more into the conversation. The setting matters as much as the name: a longer club session, a live show or a particular musical direction can change the whole appeal.

Which of these would you most want to see in Greece, and what kind of set would make it worth the wait?

Stay connected with dancetoday - follow us on social media for the latest stories, insights, and news shaping the electronic dance music world.

2b:T5d6,CHRIS STASSY is a producer and label boss who has spent the past decade building a world around his own approach to house music. What began in the underground has grown into a global project spanning music, events, a label and a community, still rooted in the clubs and culture that shaped him. In August 2026, Chris entered a new phase under the name CHRIS STASSY. One letter separates it from the name before, but little else changes - same mind, same music, same vibe. A continuation rather than a reset. That world took shape through Up The Stuss, the label he founded in 2020 and now one of house music's most recognisable independent imprints, home to his own productions and a wider roster of forward-thinking artists. The same instincts define Chris behind the decks, from underground institutions and 10-hour extended sets to Awakenings, Timewarp, Coachella, Pukkelpop and Alexandra Palace, with Ibiza central through Circoloco, Paradise and Solid Grooves. His productions and remixes - including his #1 flip of Moby's 'Go' - reflect an artist refining his own musical language rather than following a formula. In 2025 he launched USS, his own event series, alongside N.A.M.E., his free party concept. In 2026 came his debut album 'Lost, Found & Forgotten...', with headline shows beyond the club at the Eiffel Tower and Alexandra Palace, and his first AV show 'Linger' at Lowlands and Creamfields. Now, as CHRIS STASSY, the project moves forward with the same foundations intact.2c:T52a,A name that resonates thoughts of quality and fresh flavours, Michael Bibi’s take on today's current electronic music environment has seen him flourish into a highly accomplished producer and DJ. The UK based new kid has stamped his mark with a string of musical successes, carving out and establishing a distinct signature sound that has translated into support from some of the industry’s biggest names, whilst his longstanding and instinctive love for the party provides a continued source of motivation and dedication. Bibi’s raw passion for music has been with him since childhood. His father, a touring artist within the Blues and Jazz scene, provided his first insight into the world of music, with Michael accompanying him on tour and exposing his eyes and ears to the scenes never-ending influences - and today it is these influences that he draws upon to combine with his slick, up-front and personal take upon house music. As of recent, Michael has been making a name for himself with his unique production style and off-the-wall vocals, releasing material on the likes of Snatch!, VIVa, Lost Records, and of course his own labels Solid Grooves and SG Raw. With a stock of unreleased productions and global dates on the horizon, look out for Michael Bibi coming to share a party a moment with you soon!2d:T41f,Tiësto has consistently redefined, reshaped, and reignited electronic music, impacting popular culture in the process. Renowned for multiplatinum international anthems, history-making performances, and boundless creativity, it would be impossible to imagine the genre without his influence. The GRAMMY® Award-winning international icon effectively pioneered the “Las Vegas DJ residency” as we know it, emerged as “the first DJ to perform at the Olympics,” and delivered smashes across the last three decades. His career sales have surpassed 40 million albums, he has earned eight Billboard Hot 100 hits, amassed over 30 billion streams, and collected more than a dozen RIAA certifications for multiplatinum, platinum, and gold singles. This creative season has seen him triumphantly revisit the melodic deep house sound he helped innovate, bringing his career full circle. Enshrined as one of the most influential and inventive DJ/producers of all time, Tiësto continues to break boundaries and elevate electronic music to unparalleled heights.2e:T2f00,

As 2025 came to an end, if you’ve been anywhere near a dancefloor this year - whether that’s a festival field, a sweaty basement club, or simply your headphones on a late-night walk - you already know the feeling we’re talking about. There are songs that hit hard for a week, songs that trend for a month, and then there are songs that quietly become a shared reference point, the kind you recognize within two seconds and somehow never get tired of.

So, when dancetoday launched danceawards 2025 and our community started voting, a pattern became impossible to ignore. Again and again, across conversations, playlists, DJ sets, and “what’s that track?” moments, one record kept resurfacing as the year’s most reliable emotional trigger: “Blessings” by Calvin Harris feat. Clementine Douglas - our danceawards 2025 Track of the Year.

This award is driven by community voting, but, of course, it’s also the result of what we call benchmarking impact: the track’s real-world performance throughout the year, how widely it traveled, how long it stayed relevant, and how effectively it worked in the hands of DJs and listeners alike. And “Blessings” didn’t just perform well... it behaved like a modern dance standard!

The “Blessings” formula: classic dance DNA, modern emotional precision

“Blessings” arrived on 9 May 2025 via Columbia/Sony UK, marking the first collaboration between Calvin Harris and Clementine Douglas, with both sharing songwriting and production credits. That detail matters, because you can hear the shared authorship: it’s not a “producer track with a topline”, it’s a record where the vocal feels structurally fused with the groove, like it was designed from the inside out.

Regarding the sound, the track sits in the sweet spot of dance accessibility while staying club-legit: house/dance, built at 130 BPM in B minor, with synth work and piano chords that carry a bright, forward momentum, while the lyric and vocal tone keep a bittersweet edge. In other words, it doesn’t just “go off”... it moves!

Billboard captured this balance beautifully, pointing to how the song “balances lightness and urgency”, anchored by a “stabby synth” and Clementine Douglas’ bittersweet writing. And that’s exactly the point: “Blessings” isn’t a hollow peak-time tool. It’s a functional dance record with an emotional center... something the scene constantly craves, yet rarely gets at this scale.

Also, the rollout signaled confidence from day one. The track received debut airplay on BBC Radio 1 (Danny Howard’s Dance Party), and early coverage was already calling it “sound of the summer”. But what makes a “song of the summer” truly elite is what happens after summer ends. “Blessings” stayed standing.

The numbers don’t just look good. They tell a “global + club” story

If you want the simplest explanation for why this is Track of the Year, it’s this: “Blessings” succeeded in the hardest possible way: across charts, across territories, and across DJ ecosystems at the same time.

In the UK, it became a major moment, reaching #3 on the UK Singles Chart and #1 on the UK Dance Chart. It also debuted at #1 on the UK Singles Downloads and Singles Sales charts, which is a strong signal of intent-driven fans, not just passive streams.

Internationally, its peak highlights read like the footprint of a record that traveled fast and wide: #1 on the Netherlands’ Dutch Top 40, #3 on Billboard’s Hot Dance/Electronic Songs (US), plus top-tier placements like #5 in Ireland and top 10 in Belgium (Flanders).

Then come the certifications, which are basically the industry’s way of saying: this wasn’t a moment, it was a movement. “Blessings” was certified Platinum in the UK (BPI) and picked up Gold certifications in markets like Australia (ARIA), Belgium, Poland, Switzerland, plus Gold in Greece for streaming via IFPI Greece.

From a music-business point of view, this matters because it confirms something bigger than popularity: it confirms longevity and repeat value. Certifications are rarely about a single spike, they’re about sustained pull.

Remix culture as proof of DJ adoption

Now let’s talk about what DJs care about most: playability. A Track of the Year in dance music isn’t just what listeners stream... it’s what DJs can shape, re-contextualize, and weaponize in different rooms.

“Blessings” didn’t stay locked in one “official” form. Instead, it evolved into a remix ecosystem that effectively mapped the track across scenes and set times.

You had Max Styler taking it deeper and club-sharper: an official remix that gained strong traction, with Beatportal noting its rise within the club context and pointing to its momentum on Beatport. The official release hub for the Max Styler remix also confirms the label-backed rollout across platforms.

Then you had THEMBA delivering an Afro-house-leaning rework, officially released across major DSPs and channels. And KETTAMA brought a tougher, rave-flavored energy, while Morgan Seatree and MistaJam pushed the record into different dance-pop / club-radio and DJ-friendly angles... each officially distributed and clearly positioned as part of the track’s extended life cycle.

Finally, Cassian took it into a more melodic, desert-scale dimension, with Beatportal explicitly framing his version as part of the official remix run.

So, even if you weren’t tracking “Blessings” as a chart story, you felt it as a DJ story. Because when a record gets this many credible, officially released remixes spanning multiple lanes, it’s rarely random. It’s the market (DJs, labels, tastemakers) agreeing that the core idea is strong enough to keep reinterpreting.

So why did our danceaward Track of the Year go to ‘’Blessings’’?

Because it won in the only way that truly counts in electronic music: by working everywhere, for everyone, without losing its identity. A Track of the Year should sound great in May, still hit in August, and somehow feel even bigger by December, once the year has enough distance for us to see what truly lasted. “Blessings” did exactly that. It became a shared language between ravers and radio listeners, between charts and clubs, between original mix and remixes, between nostalgia and modern production.

So, from all of us at dancetoday - and powered by our community’s vote - Calvin Harris feat. Clementine Douglas – “Blessings” is the Danceawards 2025 Track of the Year. And honestly, if 2025 had a closing credits scene, this is the song we’d run it to.

Stay connected with dancetoday - follow us on social media for the latest stories, insights, and news shaping the electronic dance music world.

2f:T55f,Cassian is a Grammy Award winning Australian DJ and producer based in Los Angeles, who has become one of the most sought-after names in the Melodic House and Techno scene. With over 100 million streams worldwide and 1.2 million monthly listeners, Cassian has proven to be a true master of his craft. He has released music on several culture leading labels such as Rose Avenue Records, Afterlife Records, and Odd One Out Records, earning him top chart positions on Beatport’s Melodic House and Techno Chart and Indie Dance Chart. The impact of his music has helped him land massive performances at some of the world's most prestigious music festivals, like Coachella and Lollapalooza, as well as countless top Nightclubs around the world, like Hi Ibiza and Printworks London. Beyond his own releases, Cassian's impressive resume includes mixing critically acclaimed albums for Australian trio RÜFÜS DU SOL, which earned him multiple ARIA awards, APRA awards, and a Grammy. He has also played an integral role in projects from Anyma, Hayden James, What So Not, Crooked Colours, Broods, Set Mo, Running Touch, and many more celebrated names, with his prolific work behind the scenes, landing him multiple gold & platinum certifications. With his unique sound and undeniable talent, Cassian is quickly becoming one of the most exciting and innovative artists in the industry.7:["$","div",null,{"className":"bg-transparent min-h-screen text-white flex flex-col items-center","children":[["$","$L21",null,{"brandName":"dancenews","localeToSlug":{"en":"calvin-harris-announces-his-first-ever-north-american-headline-tour","el-GR":"o-calvin-harris-anakoinonei-tin-proti-toy-ever-headline-periodeia-sti-boreia-ameriki","el":"o-calvin-harris-anakoinonei-tin-proti-toy-ever-headline-periodeia-sti-boreia-ameriki"},"routeSegment":"news"}],["$","script",null,{"type":"application/ld+json","dangerouslySetInnerHTML":{"__html":"{\"@context\":\"https://schema.org\",\"@type\":\"BreadcrumbList\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https://www.dancetoday.com.gr/en\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"News\",\"item\":\"https://www.dancetoday.com.gr/en/news\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Calvin Harris Announces His First Ever North American Headline Tour\",\"item\":\"https://www.dancetoday.com.gr/en/news/calvin-harris-announces-his-first-ever-north-american-headline-tour\"}]}"}}],["$","$L1b",null,{}],["$","$L22",null,{"news":{"id":1028,"documentId":"nnz65lbry6u87b894on0p87i","Title":"Calvin Harris Announces His First Ever North American Headline Tour","Date":"2026-10-14","createdAt":"2026-10-13T19:33:01.149Z","updatedAt":"2026-10-13T21:23:28.926Z","publishedAt":"2026-10-13T21:23:29.126Z","locale":"en","description":null,"slug":"calvin-harris-announces-his-first-ever-north-american-headline-tour","specialNews":null,"showInHome":null,"showInNavbar":null,"showInPages":null,"description2":"$23","Image":[{"id":956,"documentId":"hzjl0cbeaqk5neh46cp2lutd","name":"CH1.jpg","alternativeText":null,"caption":null,"width":2000,"height":3000,"formats":{"large":{"ext":".jpg","url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1791920424/large_CH_1_b19d6d1cff.jpg","hash":"large_CH_1_b19d6d1cff","mime":"image/jpeg","name":"large_CH1.jpg","path":null,"size":119.12,"width":667,"height":1000,"sizeInBytes":119121,"provider_metadata":{"public_id":"large_CH_1_b19d6d1cff","resource_type":"image"}},"small":{"ext":".jpg","url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1791920424/small_CH_1_b19d6d1cff.jpg","hash":"small_CH_1_b19d6d1cff","mime":"image/jpeg","name":"small_CH1.jpg","path":null,"size":32,"width":333,"height":500,"sizeInBytes":32003,"provider_metadata":{"public_id":"small_CH_1_b19d6d1cff","resource_type":"image"}},"medium":{"ext":".jpg","url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1791920424/medium_CH_1_b19d6d1cff.jpg","hash":"medium_CH_1_b19d6d1cff","mime":"image/jpeg","name":"medium_CH1.jpg","path":null,"size":70.59,"width":500,"height":750,"sizeInBytes":70590,"provider_metadata":{"public_id":"medium_CH_1_b19d6d1cff","resource_type":"image"}},"thumbnail":{"ext":".jpg","url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1791920424/thumbnail_CH_1_b19d6d1cff.jpg","hash":"thumbnail_CH_1_b19d6d1cff","mime":"image/jpeg","name":"thumbnail_CH1.jpg","path":null,"size":3.92,"width":104,"height":156,"sizeInBytes":3919,"provider_metadata":{"public_id":"thumbnail_CH_1_b19d6d1cff","resource_type":"image"}}},"hash":"CH_1_b19d6d1cff","ext":".jpg","mime":"image/jpeg","size":485.95,"url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1791920424/CH_1_b19d6d1cff.jpg","previewUrl":null,"provider":"cloudinary","provider_metadata":{"public_id":"CH_1_b19d6d1cff","resource_type":"image"},"createdAt":"2026-10-13T19:40:24.918Z","updatedAt":"2026-10-13T19:40:24.918Z","publishedAt":"2026-10-13T19:40:24.919Z","focalPoint":null}],"author":{"id":6,"documentId":"qz3dglcinou4zfv3227xf25y","name":"Chris Christopoulos","email":null,"createdAt":"2025-09-11T07:19:28.547Z","updatedAt":"2025-09-30T20:21:24.637Z","publishedAt":"2025-09-30T20:21:24.492Z","locale":"en","bio":[{"type":"paragraph","children":[{"text":"Born and raised in Patras, my journey into electronic music began really early, at the age of 4, digging through my father’s cassette tapes filled with funk, disco, and house DJ sets. 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Since I was a kid, music was always around me and I grew up surrounded by sounds and melodies, always searching for something new , something that speaks directly to the soul.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"In 2017, I took the leap and created my own online record label. I didn’t have big resources, but I had faith in the power of young artists and the need to give them a platform. It was a journey full of excitement, challenges, and lessons. In 2019, I joined the dancetoday team, where I discovered the true meaning of community: people from different backgrounds, all connected by a shared love for music. 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For me, music isn’t something distant or untouchable, it’s the friend who comforts you, the spark that inspires you, and the bridge that brings you closer to others.","type":"text"}]}],"slug":"zisis-georgoulas","role":"Editor"},"music_genres":[{"id":30,"documentId":"cbrk7z4nhv9kcs88uv1dkiys","name":"EDM","createdAt":"2025-06-04T18:47:51.871Z","updatedAt":"2025-07-05T11:30:43.727Z","publishedAt":"2025-07-05T11:30:43.797Z","locale":"en","slug":"edm","externalId":null},{"id":32,"documentId":"pofqhezvnurg51mxbgzanum3","name":"House","createdAt":"2025-03-22T09:57:49.733Z","updatedAt":"2025-07-05T11:31:10.317Z","publishedAt":"2025-07-05T11:31:10.369Z","locale":"en","slug":"house","externalId":null},{"id":36,"documentId":"s3xheab7w22rhpoc2hlramqe","name":"Trance","createdAt":"2025-06-04T18:06:53.749Z","updatedAt":"2025-07-05T11:31:55.457Z","publishedAt":"2025-07-05T11:31:55.503Z","locale":"en","slug":"trance","externalId":null},{"id":35,"documentId":"e3t7v7dg3jsq86uidgaorxg2","name":"Techno","createdAt":"2025-03-22T09:57:11.604Z","updatedAt":"2025-07-05T11:31:47.583Z","publishedAt":"2025-07-05T11:31:47.632Z","locale":"en","slug":"techno","externalId":null}],"artists":[]},{"id":981,"Date":"2026-09-24","documentId":"vqfk844k2vdvk9g67mi4hywq","Title":"These Are the Artists the Greek Dance Scene Is Calling For - Part 1","createdAt":"2026-09-23T15:06:18.536Z","updatedAt":"2026-09-24T11:02:00.587Z","publishedAt":"2026-09-24T11:02:00.816Z","locale":"en","description":null,"slug":"these-are-the-artists-the-greek-dance-scene-is-calling-for-part-1","specialNews":null,"showInHome":null,"showInNavbar":null,"showInPages":null,"description2":"$2a","Image":[{"id":931,"documentId":"cet1cplzcl2a06tg94vxvv8o","name":"Screenshot 2026-09-24 at 00.47.51.png","alternativeText":null,"caption":null,"width":1170,"height":733,"formats":{"large":{"ext":".png","url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1790208521/large_Screenshot_2026_09_24_at_00_47_51_aa87b10681.png","hash":"large_Screenshot_2026_09_24_at_00_47_51_aa87b10681","mime":"image/png","name":"large_Screenshot 2026-09-24 at 00.47.51.png","path":null,"size":1152.25,"width":1000,"height":626,"sizeInBytes":1152251,"provider_metadata":{"public_id":"large_Screenshot_2026_09_24_at_00_47_51_aa87b10681","resource_type":"image"}},"small":{"ext":".png","url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1790208521/small_Screenshot_2026_09_24_at_00_47_51_aa87b10681.png","hash":"small_Screenshot_2026_09_24_at_00_47_51_aa87b10681","mime":"image/png","name":"small_Screenshot 2026-09-24 at 00.47.51.png","path":null,"size":318.79,"width":500,"height":313,"sizeInBytes":318786,"provider_metadata":{"public_id":"small_Screenshot_2026_09_24_at_00_47_51_aa87b10681","resource_type":"image"}},"medium":{"ext":".png","url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1790208521/medium_Screenshot_2026_09_24_at_00_47_51_aa87b10681.png","hash":"medium_Screenshot_2026_09_24_at_00_47_51_aa87b10681","mime":"image/png","name":"medium_Screenshot 2026-09-24 at 00.47.51.png","path":null,"size":678.76,"width":750,"height":470,"sizeInBytes":678759,"provider_metadata":{"public_id":"medium_Screenshot_2026_09_24_at_00_47_51_aa87b10681","resource_type":"image"}},"thumbnail":{"ext":".png","url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1790208520/thumbnail_Screenshot_2026_09_24_at_00_47_51_aa87b10681.png","hash":"thumbnail_Screenshot_2026_09_24_at_00_47_51_aa87b10681","mime":"image/png","name":"thumbnail_Screenshot 2026-09-24 at 00.47.51.png","path":null,"size":84.87,"width":245,"height":153,"sizeInBytes":84869,"provider_metadata":{"public_id":"thumbnail_Screenshot_2026_09_24_at_00_47_51_aa87b10681","resource_type":"image"}}},"hash":"Screenshot_2026_09_24_at_00_47_51_aa87b10681","ext":".png","mime":"image/png","size":374.32,"url":"https://res.cloudinary.com/dwbgwlglo/image/upload/v1790208521/Screenshot_2026_09_24_at_00_47_51_aa87b10681.png","previewUrl":null,"provider":"cloudinary","provider_metadata":{"public_id":"Screenshot_2026_09_24_at_00_47_51_aa87b10681","resource_type":"image"},"createdAt":"2026-09-24T00:08:42.077Z","updatedAt":"2026-09-24T00:08:42.077Z","publishedAt":"2026-09-24T00:08:42.077Z","focalPoint":null}],"author":{"id":6,"documentId":"qz3dglcinou4zfv3227xf25y","name":"Chris Christopoulos","email":null,"createdAt":"2025-09-11T07:19:28.547Z","updatedAt":"2025-09-30T20:21:24.637Z","publishedAt":"2025-09-30T20:21:24.492Z","locale":"en","bio":[{"type":"paragraph","children":[{"text":"Born and raised in Patras, my journey into electronic music began really early, at the age of 4, digging through my father’s cassette tapes filled with funk, disco, and house DJ sets. I began decoding dance music before I could even name it… and that curiosity never left. I’ve been a selector since the late 2000s, drawn to long-form, storytelling sets that gently flow between house, techno, and space-infused underground sounds.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"Alongside my academic path - MEng in Mechanical & Aeronautical Engineering, MSc in Engineering Business Management, and an ongoing PhD in Computer Science - I’ve always believed in building bridges between disciplines and people. That mindset led me to co-found Nibiru Mission, a space-inspired record label and creative platform, and to launch SIR KRIS, my personal DJ/producer project.","type":"text"}]},{"type":"paragraph","children":[{"text":"","type":"text"}]},{"type":"paragraph","children":[{"text":"That’s also why I’m part of dancetoday: because I believe in real connection, beyond trends, algorithms, and hype. 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