As 2025 came to an end, if you’ve been anywhere near a dancefloor this year - whether that’s a festival field, a sweaty basement club, or simply your headphones on a late-night walk - you already know the feeling we’re talking about. There are songs that hit hard for a week, songs that trend for a month, and then there are songs that quietly become a shared reference point, the kind you recognize within two seconds and somehow never get tired of.

So, when dancetoday launched danceawards 2025 and our community started voting, a pattern became impossible to ignore. Again and again, across conversations, playlists, DJ sets, and “what’s that track?” moments, one record kept resurfacing as the year’s most reliable emotional trigger: “Blessings” by Calvin Harris feat. Clementine Douglas - our danceawards 2025 Track of the Year.

This award is driven by community voting, but, of course, it’s also the result of what we call benchmarking impact: the track’s real-world performance throughout the year, how widely it traveled, how long it stayed relevant, and how effectively it worked in the hands of DJs and listeners alike. And “Blessings” didn’t just perform well... it behaved like a modern dance standard!

The “Blessings” formula: classic dance DNA, modern emotional precision

“Blessings” arrived on 9 May 2025 via Columbia/Sony UK, marking the first collaboration between Calvin Harris and Clementine Douglas, with both sharing songwriting and production credits. That detail matters, because you can hear the shared authorship: it’s not a “producer track with a topline”, it’s a record where the vocal feels structurally fused with the groove, like it was designed from the inside out.

Regarding the sound, the track sits in the sweet spot of dance accessibility while staying club-legit: house/dance, built at 130 BPM in B minor, with synth work and piano chords that carry a bright, forward momentum, while the lyric and vocal tone keep a bittersweet edge. In other words, it doesn’t just “go off”... it moves!

Billboard captured this balance beautifully, pointing to how the song “balances lightness and urgency”, anchored by a “stabby synth” and Clementine Douglas’ bittersweet writing. And that’s exactly the point: “Blessings” isn’t a hollow peak-time tool. It’s a functional dance record with an emotional center... something the scene constantly craves, yet rarely gets at this scale.

Also, the rollout signaled confidence from day one. The track received debut airplay on BBC Radio 1 (Danny Howard’s Dance Party), and early coverage was already calling it “sound of the summer”. But what makes a “song of the summer” truly elite is what happens after summer ends. “Blessings” stayed standing.

The numbers don’t just look good. They tell a “global + club” story

If you want the simplest explanation for why this is Track of the Year, it’s this: “Blessings” succeeded in the hardest possible way: across charts, across territories, and across DJ ecosystems at the same time.

In the UK, it became a major moment, reaching #3 on the UK Singles Chart and #1 on the UK Dance Chart. It also debuted at #1 on the UK Singles Downloads and Singles Sales charts, which is a strong signal of intent-driven fans, not just passive streams.

Internationally, its peak highlights read like the footprint of a record that traveled fast and wide: #1 on the Netherlands’ Dutch Top 40, #3 on Billboard’s Hot Dance/Electronic Songs (US), plus top-tier placements like #5 in Ireland and top 10 in Belgium (Flanders).

Then come the certifications, which are basically the industry’s way of saying: this wasn’t a moment, it was a movement. “Blessings” was certified Platinum in the UK (BPI) and picked up Gold certifications in markets like Australia (ARIA), Belgium, Poland, Switzerland, plus Gold in Greece for streaming via IFPI Greece.

From a music-business point of view, this matters because it confirms something bigger than popularity: it confirms longevity and repeat value. Certifications are rarely about a single spike, they’re about sustained pull.

Remix culture as proof of DJ adoption

Now let’s talk about what DJs care about most: playability. A Track of the Year in dance music isn’t just what listeners stream... it’s what DJs can shape, re-contextualize, and weaponize in different rooms.

“Blessings” didn’t stay locked in one “official” form. Instead, it evolved into a remix ecosystem that effectively mapped the track across scenes and set times.

You had Max Styler taking it deeper and club-sharper: an official remix that gained strong traction, with Beatportal noting its rise within the club context and pointing to its momentum on Beatport. The official release hub for the Max Styler remix also confirms the label-backed rollout across platforms.

Then you had THEMBA delivering an Afro-house-leaning rework, officially released across major DSPs and channels. And KETTAMA brought a tougher, rave-flavored energy, while Morgan Seatree and MistaJam pushed the record into different dance-pop / club-radio and DJ-friendly angles... each officially distributed and clearly positioned as part of the track’s extended life cycle.

Finally, Cassian took it into a more melodic, desert-scale dimension, with Beatportal explicitly framing his version as part of the official remix run.

So, even if you weren’t tracking “Blessings” as a chart story, you felt it as a DJ story. Because when a record gets this many credible, officially released remixes spanning multiple lanes, it’s rarely random. It’s the market (DJs, labels, tastemakers) agreeing that the core idea is strong enough to keep reinterpreting.

So why did our danceaward Track of the Year go to ‘’Blessings’’?

Because it won in the only way that truly counts in electronic music: by working everywhere, for everyone, without losing its identity. A Track of the Year should sound great in May, still hit in August, and somehow feel even bigger by December, once the year has enough distance for us to see what truly lasted. “Blessings” did exactly that. It became a shared language between ravers and radio listeners, between charts and clubs, between original mix and remixes, between nostalgia and modern production.

So, from all of us at dancetoday - and powered by our community’s vote - Calvin Harris feat. Clementine Douglas – “Blessings” is the Danceawards 2025 Track of the Year. And honestly, if 2025 had a closing credits scene, this is the song we’d run it to.

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dancetoday’s 2025 Track Of The Year — Calvin Harris ft. Clementine Douglas - “Blessings”: A Global Dance Standard